Because I speak Spanish
I can listen to my grandmother’s stories
and say familia, madre, amor.
Because I speak English
I can learn from my teacher
and say I love school.
Because I am bilingual
I can read libros and books,
I have amigos and friends,
I enjoy canciones and songs,
juegos and games,
and have twice as much fun.
And someday,
because I speak two languages,
I will be able to do twice as much,
to help twice as many people
and be twice as good in what I do.
is a meadow
after a snowfall
that a poem
hopes to cross
Lying, thinking
Last night
How to find my soul a home
Where water is not thirsty
And bread loaf is not stone
I came up with one thing
And I don't believe I'm wrong
That nobody,
But nobody
Can make it out here alone.
Alone, all alone
Nobody, but nobody
Can make it out here alone.
There are some millionaires
With money they can't use
Their wives run round like banshees
Their children sing the blues
They've got expensive doctors
To cure their hearts of stone.
But nobody
No, nobody
Can make it out here alone.
Alone, all alone
Nobody, but nobody
Can make it out here alone.
Now if you listen closely
I'll tell you what I know
Storm clouds are gathering
The wind is gonna blow
The race of man is suffering
And I can hear the moan,
'Cause nobody,
But nobody
Can make it out here alone.
Alone, all alone
Nobody, but nobody
Can make it out here alone.
Shadows on the wall
Noises down the hall
Life doesn't frighten me at all
Bad dogs barking loud
Big ghosts in a cloud
Life doesn't frighten me at all
Mean old Mother Goose
Lions on the loose
They don't frighten me at all
Dragons breathing flame
On my counterpane
That doesn't frighten me at all.
I go boo
Make them shoo
I make fun
Way they run
I won't cry
So they fly
I just smile
They go wild
Life doesn't frighten me at all.
Tough guys fight
All alone at night
Life doesn't frighten me at all.
Panthers in the park
Strangers in the dark
No, they don't frighten me at all.
That new classroom where
Boys all pull my hair
(Kissy little girls
With their hair in curls)
They don't frighten me at all.
Don't show me frogs and snakes
And listen for my scream,
If I'm afraid at all
It's only in my dreams.
I've got a magic charm
That I keep up my sleeve
I can walk the ocean floor
And never have to breathe.
Life doesn't frighten me at all
Not at all
Not at all.
Life doesn't frighten me at all.
If sunlight fell like snowflakes,
gleaming yellow and so bright,
we could build a sunman,
we could have a sunball fight,
we could watch the sunflakes
drifting in the sky.
We could go sleighing
in the middle of July
through sundrifts and sunbanks,
we could ride a sunmobile,
and we could touch sunflakes—
I wonder how they'd feel.
I am offering this poem to you,
since I have nothing else to give.
Keep it like a warm coat
when winter comes to cover you,
or like a pair of thick socks
the cold cannot bite through,
I love you,
I have nothing else to give you,
so it is a pot full of yellow corn
to warm your belly in winter,
it is a scarf for your head, to wear
over your hair, to tie up around your face,
I love you,
Keep it, treasure this as you would
if you were lost, needing direction,
in the wilderness life becomes when mature;
and in the corner of your drawer,
tucked away like a cabin or hogan
in dense trees, come knocking,
and I will answer, give you directions,
and let you warm yourself by this fire,
rest by this fire, and make you feel safe
I love you,
It’s all I have to give,
and all anyone needs to live,
and to go on living inside,
when the world outside
no longer cares if you live or die;
remember,
I love you.
They came like dewdrops overnight
Eating every plant in sight,
Those nasty worms with legs that crawl
So creepy up the garden wall,
Green prickly fuzz to hurt and sting
Each unsuspecting living thing.
How I hate them! Oh, you know
I’d love to squish them with my toe.
But then I see past their disguise,
Someday they’ll all be butterflies.
An ancient pond!
With a sound from the water
Of the frog as it plunges in.
The sun does arise,
And make happy the skies.
The merry bells ring
To welcome the Spring.
The sky-lark and thrush,
The birds of the bush,
Sing louder around,
To the bells’ cheerful sound.
While our sports shall be seen
On the Ecchoing Green.
Old John, with white hair
Does laugh away care,
Sitting under the oak,
Among the old folk,
They laugh at our play,
And soon they all say.
‘Such, such were the joys.
When we all girls & boys,
In our youth-time were seen,
On the Ecchoing Green.’
Till the little ones weary
No more can be merry
The sun does descend,
And our sports have an end:
Round the laps of their mothers,
Many sisters and brothers,
Like birds in their nest,
Are ready for rest;
And sport no more seen,
On the darkening Green.
If I were to live my life
in catfish forms
in scaffolds of skin and whiskers
at the bottom of a pond
and you were to come by
one evening
when the moon was shining
down into my dark home
and stand there at the edge
of my affection
and think, "It's beautiful
here by this pond. I wish
somebody loved me,"
I'd love you and be your catfish
friend and drive such lonely
thoughts from your mind
and suddenly you would be
at peace,
and ask yourself, "I wonder
if there are any catfish
in this pond? It seems like
a perfect place for them."
there’s a bluebird in my heart that
wants to get out
but I’m too tough for him,
I say, stay in there, I’m not going
to let anybody see
you.
there’s a bluebird in my heart that
wants to get out
but I’m too tough for him,
I say,
stay down, do you want to mess
me up?
you want to mess up the
works?
you want to mess up my book sales in
Europe?
there’s a bluebird in my heart that
wants to get out
but I’m too clever, I only let him out
at night sometimes
when everybody’s asleep.
I say, I know that you’re there,
so don’t be
sad.
then I put him back,
but he’s singing a little
in there, I haven’t quite let him
die
and we sleep together like
that
with our
secret pact
and it’s nice enough to
make a man
weep, but I don’t
weep, do
you?
How doth the little crocodile
Improve his shining tail,
And pour the waters of the Nile
On every golden scale!
How cheerfully he seems to grin,
How neatly spreads his claws,
And welcomes little fishes in,
With gently smiling jaws!
not back, let’s not come back, let’s go by the speed of
queer zest & stay up
there & get ourselves a little
moon cottage (so pretty), then start a moon garden
with lots of moon veggies (so healthy), i mean
i was already moonlighting
as an online moonologist
most weekends, so this is the immensely
logical next step, are you
packing your bags yet, don’t forget your
sailor moon jean jacket, let’s wear
our sailor moon jean jackets while twirling in that lighter,
queerer moon gravity, let’s love each other
(so good) on the moon, let’s love
the moon
on the moon
Flowers have faces. They are happy or sad.
Their faces change, like ours;
unlike us, it doesn’t mean
uh-oh a new mood out of nowhere dawned.
Technically it is immoral to kill a flower
but people do it all the time,
to smooth something over or to please a lover.
Nature just rolls right on, headless.
When I climb up
To get a drink
It doesn't work
The way you'd think
I turn it up.
The water goes
And hits me right
Upon the nose.
I turn it down
To make it small
And don't get any
Drink at all.
The whole idea of it makes me feel
like I’m coming down with something,
something worse than any stomach ache
or the headaches I get from reading in bad light–
a kind of measles of the spirit,
a mumps of the psyche,
a disfiguring chicken pox of the soul.
You tell me it is too early to be looking back,
but that is because you have forgotten
the perfect simplicity of being one
and the beautiful complexity introduced by two.
But I can lie on my bed and remember every digit.
At four I was an Arabian wizard.
I could make myself invisible
by drinking a glass of milk a certain way.
At seven I was a soldier, at nine a prince.
But now I am mostly at the window
watching the late afternoon light.
Back then it never fell so solemnly
against the side of my tree house,
and my bicycle never leaned against the garage
as it does today,
all the dark blue speed drained out of it.
This is the beginning of sadness, I say to myself,
as I walk through the universe in my sneakers.
It is time to say good-bye to my imaginary friends,
time to turn the first big number.
It seems only yesterday I used to believe
there was nothing under my skin but light.
If you cut me I could shine.
But now when I fall upon the sidewalks of life,
I skin my knees. I bleed.
To John Gaston Edgar
I have wrapped my dreams in a silken cloth,
And laid them away in a box of gold;
Where long will cling the lips of the moth,
I have wrapped my dreams in a silken cloth;
I hide no hate; I am not even wroth
Who found earth’s breath so keen and cold;
I have wrapped my dreams in a silken cloth,
And laid them away in a box of gold.
love is more thicker than forget
more thinner than recall
more seldom than a wave is wet
more frequent than to fail
it is most mad and moonly
and less it shall unbe
than all the sea which only
is deeper than the sea
love is less always than to win
less never than alive
less bigger than the least begin
less littler than forgive
it is most sane and sunly
and more it cannot die
than all the sky which only
is higher than the sky
maggie and milly and molly and may
went down to the beach(to play one day)
and maggie discovered a shell that sang
so sweetly she couldn't remember her troubles,and
milly befriended a stranded star
whose rays five languid fingers were;
and molly was chased by a horrible thing
which raced sideways while blowing bubbles:and
may came home with a smooth round stone
as small as a world and as large as alone.
For whatever we lose(like a you or a me)
it's always ourselves we find in the sea
A Bird, came down the Walk -
He did not know I saw -
He bit an Angle Worm in halves
And ate the fellow, raw,
And then, he drank a Dew
From a convenient Grass -
And then hopped sidewise to the Wall
To let a Beetle pass -
He glanced with rapid eyes,
That hurried all abroad -
They looked like frightened Beads, I thought,
He stirred his Velvet Head. -
Like one in danger, Cautious,
I offered him a Crumb,
And he unrolled his feathers,
And rowed him softer Home -
Than Oars divide the Ocean,
Too silver for a seam,
Or Butterflies, off Banks of Noon,
Leap, plashless as they swim.
I'm Nobody! Who are you?
Are you – Nobody – too?
Then there's a pair of us!
Don't tell! they'd advertise – you know!
How dreary – to be – Somebody!
How public – like a Frog –
To tell one's name – the livelong June –
To an admiring Bog!
They are not long, the weeping and the laughter,
Love and desire and hate:
I think they have no portion in us after
We pass the gate.
They are not long, the days of wine and roses:
Out of a misty dream
Our path emerges for a while, then closes
Within a dream.
Jellicle Cats come out to-night
Jellicle Cats come one come all:
The Jellicle Moon is shining bright—
Jellicles come to the Jellicle Ball.
Jellicle Cats are black and white,
Jellicle Cats are rather small;
Jellicle Cats are merry and bright,
And pleasant to hear when they caterwaul.
Jellicle Cats have cheerful faces,
Jellicle Cats have bright black eyes;
They like to practise their airs and graces
And wait for the Jellicle Moon to rise.
Jellicle Cats develop slowly,
Jellicle Cats are not too big;
Jellicle Cats are roly-poly,
They know how to dance a gavotte and a jig.
Until the Jellicle Moon appears
They make their toilette and take their repose:
Jellicle Cats wash behind their ears,
Jellicle dry between their toes.
Jellicle Cats are white and black,
Jellicle Cats are of moderate size;
Jellicle Cats jump like a jumping-jack,
Jellicle Cats have moonlit eyes.
They're quiet enough in the morning hours,
They're quiet enough in the afternoon,
Reserving their terpsichorean powers
To dance by the light of the Jellicle Moon.
Jellicle Cats are black and white,
Jellicle Cats (as I said) are small;
If it happens to be a stormy night
They will practise a caper or two in the hall.
If it happens the sun is shining bright
You would say they had nothing to do at all:
They are resting and saving themselves to be right
For the Jellicle Moon and the Jellicle Ball.
My father liked them separate, one there,
one here (allá y aquí), as if aware
that words might cut in two his daughter’s heart
(el corazón) and lock the alien part
to what he was—his memory, his name
(su nombre)—with a key he could not claim.
“English outside this door, Spanish inside,”
he said, “y basta.” But who can divide
the world, the word (mundo y palabra) from
any child? I knew how to be dumb
and stubborn (testaruda); late, in bed,
I hoarded secret syllables I read
until my tongue (mi lengua) learned to run
where his stumbled. And still the heart was one.
I like to think he knew that, even when,
proud (orgulloso) of his daughter’s pen,
he stood outside mis versos, half in fear
of words he loved but wanted not to hear.
Something told the wild geese
It was time to go,
Though the fields lay golden
Something whispered, "snow."
Leaves were green and stirring,
Berries, luster-glossed,
But beneath warm feathers
Something cautioned, "frost."
All the sagging orchards
Steamed with amber spice,
But each wild breast stiffened
At remembered ice.
Something told the wild geese
It was time to fly,
Summer sun was on their wings,
Winter in their cry.
Soy un ajiaco de contradicciones.
I have mixed feelings about everything.
Name your tema, I'll hedge;
name your cerca, I'll straddle it
like a cubano.
I have mixed feelings about everything.
Soy un ajiaco de contradicciones.
Vexed, hexed, complexed,
hyphenated, oxygenated, illegally alienated,
psycho soy, cantando voy:
You say tomato,
I say tu madre;
You say potato,
I say Pototo.
Let's call the hole
un hueco, the thing
a cosa, and if the cosa goes into the hueco,
consider yourself en casa,
consider yourself part of the family.
Soy un ajiaco de contradicciones,
un puré de impurezas:
a little square from Rubik's Cuba
que nadie nunca acoplará.
(Cha-cha-chá.)
Light Light
is the ink we use
Night Night
is our parchment
We’re fireflies
fireflies flickering
flitting
flashing
fireflies
glimmering fireflies
gleaming
glowing
insect calligraphers insect calligraphers
practicing penmanship
copying sentences
Six-legged scribblers Six-legged scribblers
of vanishing messages
fleeting graffiti
Fine artists in flight Fine artists in flight
adding dabs of light
bright brush strokes
Signing the June nights Signing the June nights
as if they were paintings as if they were paintings
We’re
flickering fireflies
fireflies flickering
fireflies. fireflies.
after Nikki Giovanni
She asked me to kill the spider
Instead, I get the most
peaceful weapons I can find.
I take a cup and a napkin.
I catch the spider, put it outside
and allow it to walk away.
If I am ever caught in the wrong place
at the wrong time, just being alive
and not bothering anyone,
I hope I am greeted
with the same kind
of mercy.
I have been one acquainted with the night.
I have walked out in rain --- and back in rain.
I have outwalked the furthest city light.
I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.
I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,
But not to call me back or say good-by;
And further still at an unearthly height,
One luminary clock against the sky
Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.
Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.
The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
Do not stand at my grave and weep;
I am not there. I do not sleep.
I am a thousand winds that blow.
I am the diamond glints on snow.
I am the sunlight on ripened grain.
I am the gentle autumn rain.
When you awaken in the morning’s hush
I am the swift uplifting rush
Of quiet birds in circled flight.
I am the soft stars that shine at night.
Do not stand at my grave and cry;
I am not there. I did not die.
I wake in the morning early
And always, the very first thing,
I poke out my head and I sit up in bed
And I sing and I sing and I sing.
I always like summer
best
you can eat fresh corn
from daddy's garden
and okra
and greens
and cabbage
and lots of
barbecue
and buttermilk
and homemade ice-cream
at the church picnic
and listen to
gospel music
outside
at the church
homecoming
and go to the mountains with
your grandmother
and go barefooted
and be warm
all the time
not only when you go to bed
and sleep
her grandmother called her from the playground
“yes, ma’am”
“i want chu to learn how to make rolls” said the old
woman proudly
but the little girl didn’t want
to learn how because she knew
even if she couldn’t say it that
that would mean when the old one died she would be less
dependent on her spirit so
she said
“i don’t want to know how to make no rolls”
with her lips poked out
and the old woman wiped her hands on
her apron saying “lord
these children”
and neither of them ever
said what they meant
and i guess nobody ever does
This is my first memory:
A big room with heavy wooden tables that sat on a creaky
wood floor
A line of green shades—bankers’ lights—down the center
Heavy oak chairs that were too low or maybe I was simply
too short
For me to sit in and read
So my first book was always big
In the foyer up four steps a semi-circle desk presided
To the left side the card catalogue
On the right newspapers draped over what looked like
a quilt rack
Magazines face out from the wall
The welcoming smile of my librarian
The anticipation in my heart
All those books—another world—just waiting
At my fingertips.
When I’m by myself
And I close my eyes
I’m a twin
I’m a dimple in a chin
I’m a room full of toys
I’m a squeaky noise
I’m a gospel song
I’m a gong
I’m a leaf turning red
I’m a loaf of brown bread
I’m a whatever I want to be
An anything I care to be
And when I open my eyes
What I care to be
Is me.
Three little ponies who didn’t like their hay
Said to each other “Let’s run away!”
Said the first “I will canter!”
Said the second “I will trot!”
Said the third “I will run if it’s not too hot!”
And they all started off
With their tails in the air
But they couldn’t jump the fence
So they’re all still there.
How to say milk? How to say sand, snow, sow,
linen, cloud, cocoon, or albino?
How to say page or canvas or rice balls?
Trying to recall Japanese, I blank out:
it's clear I know forgetting. Mother, tell me
what to call that paper screen that slides the interior in?
Apart, we are two quiet things:
a person and an instrument.
I in my body,
the clarinet in its case.
We are like good friends.
The clarinet takes nothing away from me.
It lets me borrow its notes.
If I loan it my breath,
I can speak with its sweet voice.
Together, we will make a world
full of song.
He waltzes into the lane
’cross the free-throw line,
fakes a drive, pivots,
floats from the asphalt turf
in an arc of black light,
and sinks two into the chains.
One on one he fakes
down the main, passes
into the free lane
and hits the chains.
A sniff in the fallen air—
he stuffs it through the chains
riding high:
“traveling” someone calls—
and he laughs, stepping
to a silent beat, gliding
as he sinks two into the chains.
1. Go back to the grain yellow hills where the broken speak of elegance
2. Walk up to the canvas door, the short bed stretched against the clouds
3. Beneath the earth, an ant writes with the grace of a governor
4. Blow, blow Red Tail Hawk, your hidden sleeve—your desert secrets
5. You are there, almost, without a name, without a body, go now
6. I said five, said five like a guitar says six.
Jackrabbits, green onions & witches stew
Three dollars & upside down lemons & you
Dinky planet on a skateboard of dynamite
Oh, what to do, chile peppers, Mrs. Oops
Dr. What, Mr. Space Station unscrewed
The Redbook of Ants says you better run
No sireee, LOL, blowin’ my bubble gum sun
Death is nothing at all.
It does not count.
I have only slipped away into the next room.
Nothing has happened.
Everything remains exactly as it was.
I am I, and you are you,
and the old life that we lived so fondly together is untouched, unchanged.
Whatever we were to each other, that we are still.
Call me by the old familiar name.
Speak of me in the easy way which you always used.
Put no difference into your tone.
Wear no forced air of solemnity or sorrow.
Laugh as we always laughed at the little jokes that we enjoyed together.
Play, smile, think of me, pray for me.
Let my name be ever the household word that it always was.
Let it be spoken without an effort, without the ghost of a shadow upon it.
Life means all that it ever meant.
It is the same as it ever was.
There is absolute and unbroken continuity.
What is this death but a negligible accident?
Why should I be out of mind because I am out of sight?
I am but waiting for you, for an interval,
somewhere very near,
just round the corner.
All is well.
Nothing is hurt; nothing is lost.
One brief moment and all will be as it was before.
How we shall laugh at the trouble of parting when we meet again!
Subways are people---
People standing
People sitting
People swaying to and fro
Some in suits
Some in tatters
People I will never know
Some with glasses
Some without
Boy with smile
Girl with frown
People dashing
Steel flashing
Up and down and
‘round the town
Subways are people---
People old
People new
People always on the go
Racing, running, rushing people
People I will never know.
Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.
Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.
To fling my arms wide
In some place of the sun,
To whirl and to dance
Till the white day is done.
Then rest at cool evening
Beneath a tall tree
While night comes on gently,
Dark like me—
That is my dream!
To fling my arms wide
In the face of the sun,
Dance! Whirl! Whirl!
Till the quick day is done.
Rest at pale evening . . .
A tall, slim tree . . .
Night coming tenderly
Black like me.
The pictures on the television
Do not make me dream as well
As the stories without pictures
Grandpa knows how to tell
Even if he does not know
What makes a Spaceman go,
Grandpa says back in his time
Hamburgers only cost a dime,
Ice cream cones a nickel,
And a penny for a pickle.
Your world is as big as you make it.
I know, for I used to abide
In the narrowest nest in a corner,
My wings pressing close to my side.
But I sighted the distant horizon
Where the skyline encircled the sea
And I throbbed with a burning desire
To travel this immensity.
I battered the cordons around me
And cradled my wings on the breeze,
Then soared to the uttermost reaches
With rapture, with power, with ease!
I saved all my pennies
and soon had a nickel.
I saved all my nickels
and soon had a dime.
I saved all my dimes
and soon had a quarter.
I saved all my quarters
and went to the store.
Yes, I’d saved and saved for a video system,
which was really quite an expense.
But the clerk looked down and laughed in
my face…
I only had eighty-three cents.
I have a brief confession
that I would like to make.
If I don’t get it off my chest
I'm sure my heart will break.
I didn't do my reading.
I watched TV instead—
while munching cookies, cakes, and chips
and cinnamon raisin bread.
I didn't wash the dishes.
I didn't clean the mess.
Now there are roaches eating crumbs—
a million, more or less.
I didn't turn the TV off.
I didn't shut the light.
Just think of all the energy
I wasted through the night.
I feel so very guilty.
I did a lousy job.
I hope my students don't find out
that I am such a slob.
i think in spanish
i write in english
i want to go back to puerto rico,
but i wonder if my kink could live
in ponce, mayagüez and carolina
tengo las venas aculturadas
escribo en spanglish
abraham in español
abraham in english
tato in spanish
"taro" in english
tonto in both languages
how are you?
¿cómo estás?
i don't know if i'm coming
or si me fui ya
si me dicen barranquitas, yo reply,
"¿con qué se come eso?"
si me dicen caviar, i digo,
"a new pair of converse sneakers."
ahí supe que estoy [ ]
ahí supe que estamos [ ]
english or spanish
spanish or english
spanenglish
now, dig this:
hablo lo inglés matao
hablo lo español matao
no sé leer ninguno bien
so it is, spanglish to matao
what i digo
¡ay, virgen, yo no sé hablar!
From blossoms comes
this brown paper bag of peaches
we bought from the boy
at the bend in the road where we turned toward
signs painted Peaches.
From laden boughs, from hands,
from sweet fellowship in the bins,
comes nectar at the roadside, succulent
peaches we devour, dusty skin and all,
comes the familiar dust of summer, dust we eat.
O, to take what we love inside,
to carry within us an orchard, to eat
not only the skin, but the shade,
not only the sugar, but the days, to hold
the fruit in our hands, adore it, then bite into
the round jubilance of peach.
There are days we live
as if death were nowhere
in the background; from joy
to joy to joy, from wing to wing,
from blossom to blossom to
impossible blossom, to sweet impossible blossom.
No shoes and a glossy
red helmet, I rode
on the back of my dad’s
Harley at seven years old.
Before the divorce.
Before the new apartment.
Before the new marriage.
Before the apple tree.
Before the ceramics in the garbage.
Before the dog’s chain.
Before the koi were all eaten
by the crane. Before the road
between us, there was the road
beneath us, and I was just
big enough not to let go:
Henno Road, creek just below,
rough wind, chicken legs,
and I never knew survival
was like that. If you live,
you look back and beg
for it again, the hazardous
bliss before you know
what you would miss.
When the doctor suggested surgery
and a brace for all my youngest years,
my parents scrambled to take me
to massage therapy, deep tissue work,
osteopathy, and soon my crooked spine
unspooled a bit, I could breathe again,
and move more in a body unclouded
by pain. My mom would tell me to sing
songs to her the whole forty-five minute
drive to Middle Two Rock Road and forty-
five minutes back from physical therapy.
She’d say, even my voice sounded unfettered
by my spine afterward. So I sang and sang,
because I thought she liked it. I never
asked her what she gave up to drive me,
or how her day was before this chore. Today,
at her age, I was driving myself home from yet
another spine appointment, singing along
to some maudlin but solid song on the radio,
and I saw a mom take her raincoat off
and give it to her young daughter when
a storm took over the afternoon. My god,
I thought, my whole life I’ve been under her
raincoat thinking it was somehow a marvel
that I never got wet.
I shall dance tonight.
When the dusk comes crawling,
There will be dancing
and feasting.
I shall dance with the others
in circles,
in leaps,
in stomps.
Laughter and talk
Will weave into the night,
Among the fires
of my people.
Games will be played
And I shall be
a part of it.
I must go down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
And the wheel’s kick and the wind’s song and the white sail’s shaking
And a gray mist on the sea’s face and a great dawn breaking.
I must go down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.
I must go down to the seas again, to the vagrant gypsy life,
To the gull’s way and the whale’s way where the wind’s like a whetted knife,
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick’s over.
For Detroit
There are birds here,
so many birds here
is what I was trying to say
when they said those birds were metaphors
for what is trapped
between buildings
and buildings. No.
The birds are here
to root around for bread
the girl’s hands tear
and toss like confetti. No,
I don’t mean the bread is torn like cotton,
I said confetti, and no
not the confetti
a tank can make of a building.
I mean the confetti
a boy can’t stop smiling about
and no his smile isn’t much
like a skeleton at all. And no
his neighborhood is not like a war zone.
I am trying to say
his neighborhood
is as tattered and feathered
as anything else,
as shadow pierced by sun
and light parted
by shadow-dance as anything else,
but they won’t stop saying
how lovely the ruins,
how ruined the lovely
children must be in that birdless city.
Some people have wolf energy—visible
either in the jaw or the lean, rising shoulders,
a gait radiating speed. Other people
have rabbit energy. If you were sleeping
and they bit your neck, it might strike you
as ticklish. Others have bear energy—oversized,
cuddly, but liable to snarl and swipe your face
with a paw. Cat energy is first cousins
with skunk energy. My wife says my face
looks like a shark’s, but squirrel teeth
line my gums. If I chomp you,
you won’t lose an arm. My half-brother
is an owl that flew into the woods
and never came back. My one brother
is half-rhino and half-blowtorch.
My other brother is a puddle of water
evaporating in a cave. Each day
I check to make sure he’s still there.
Last night I heard your voice, mother,
The words you sang to me
When I, a little barefoot boy,
Knelt down against your knee.
And tears gushed from my heart, mother,
And passed beyond its wall,
But though the fountain reached my throat
The drops refused to fall.
'Tis ten years since you died, mother,
Just ten dark years of pain,
And oh, I only wish that I
Could weep just once again.
I plucked my soul out of its secret place,
And held it to the mirror of my eye,
To see it like a star against the sky,
A twitching body quivering in space,
A spark of passion shining on my face.
And I explored it to determine why
This awful key to my infinity
Conspires to rob me of sweet joy and grace.
And if the sign may not be fully read,
If I can comprehend but not control,
I need not gloom my days with futile dread,
Because I see a part and not the whole.
Contemplating the strange, I’m comforted
By this narcotic thought: I know my soul.
Yesterday, upon the stair,
I met a man who wasn't there
He wasn't there again today
I wish, I wish he'd go away…
When I came home last night at three
The man was waiting there for me
But when I looked around the hall
I couldn't see him there at all!
Go away, go away, don't you come back any more!
Go away, go away, and please don't slam the door... (slam!)
Last night I saw upon the stair
A little man who wasn't there
He wasn't there again today
Oh, how I wish he'd go away...
Dot a dot dot dot a dot dot
Spotting the windowpane.
Spack a spack speck flick a flack fleck
Freckling the windowpane.
A spatter a scatter a wet cat a clatter
A splatter a rumble outside.
Umbrella umbrella umbrella umbrella
Bumbershoot barrel of rain.
Slosh a galosh slosh a galosh
Slither and slather a glide
A puddle a jump a puddle a jump
A puddle a jump puddle splosh
A juddle a pump a luddle a dump
A pudmuddle jump in and slide!
I will be the gladdest thing
Under the sun!
I will touch a hundred flowers
And not pick one!
I will look at cliffs and clouds
With quiet eyes,
Watch the wind bow down the grass
And the grass rise.
And when lights begin to show
Up from the town
I will mark which must be mine,
And then start down!
The trees along this city street,
Save for the traffic and the trains,
Would make a sound as thin and sweet
As trees in country lanes.
And people standing in their shade
Out of a shower, undoubtedly
Would hear such music as is made
Upon a country tree.
Oh, little leaves that are so dumb
Against the shrieking city air,
I watch you when the wind has come, --
I know what sound is there.
My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends—
It gives a lovely light!
Come, words, come in your every color.
I’ll toss you in storm or breeze.
I’ll say, say, say you,
Taste you sweet as plump plums,
bitter as old lemons,
I’ll sniff you, words, warm
as almonds or tart as apple‐red,
feel you green
and soft as new grass,
lightweight as dandelion plumes,
or thorngray as cactus,
heavy as black cement,
cold blue as icicles,
warm as abuelita’s yellowlap.
I’ll hear you, words, loud as searoar’s
Purple crash, hushed
as gatitos curled in sleep,
as the last goldlullaby.
I’ll see you long and dark as tunnels,
bright as rainbows,
playful as chestnutwind.
I’ll watch you, words, rise and dance
and spin.
I’ll say, say, say you
in English,
in Spanish,
I’ll find you.
Hold you.
Toss you.
I’m free too.
I say yo soy libre,
I am free
free, free,
free as confetti.
translated by Elizabeth Oehlkers Wright and Franz Wright
tears
this is when
your heart is sweating
in the mine of the thorax
never seeing the sun
do you feel the heart’s back aching?
do you feel the heart’s chest aching?
tears
this is when
the heart spits in your eyes
To a Brown Boy
’Tis a noble gift to be brown, all brown,
Like the strongest things that make up this earth,
Like the mountains grave and grand,
Even like the very land,
Even like the trunks of trees—
Even oaks, to be like these!
God builds His strength in bronze.
To be brown like thrush and lark!
Like the subtle wren so dark!
Nay, the king of beasts wears brown;
Eagles are of this same hue.
I thank God, then, I am brown.
Brown has mighty things to do.
They were those who cut cane
to the rhythm of the sunbeat
They were those who carried cane
to the rhythm of the sunbeat
They were those who crushed cane
to the rhythm of the sunbeat
They were women weeding, carrying babies
to the rhythm of the sunbeat
They were my people, working so hard
to the rhythm of the sunbeat - - long ago
to the rhythm of the sunbeat.
They said something mean to me
and didn’t notice it was mean.
So my heart wandered
into the rainy night without them
and found a canopy
to hide under.
My eyes started
seeing through things.
Like gauze.
Old self through new self.
My flexible body
went backwards
and forwards
in time.
It’s hard to describe but true:
I grew another head
with better ideas
inside my old head.
The river is famous to the fish.
The loud voice is famous to silence,
which knew it would inherit the earth
before anybody said so.
The cat sleeping on the fence is famous to the birds
watching him from the birdhouse.
The tear is famous, briefly, to the cheek.
The idea you carry close to your bosom
is famous to your bosom.
The boot is famous to the earth,
more famous than the dress shoe,
which is famous only to floors.
The bent photograph is famous to the one who carries it
and not at all famous to the one who is pictured.
I want to be famous to shuffling men
who smile while crossing streets,
sticky children in grocery lines,
famous as the one who smiled back.
I want to be famous in the way a pulley is famous,
or a buttonhole, not because it did anything spectacular,
but because it never forgot what it could do.
When you quietly close
the door to a room
the room is not finished.
It is resting. Temporarily.
Glad to be without you
for a while.
Now it has time to gather
its balls of gray dust,
to pitch them from corner to corner.
Now it seeps back into itself,
unruffled and proud.
Outlines grow firmer.
When you return,
you might move the stack of books,
freshen the water for the roses.
I think you could keep doing this
forever. But the blue chair looks best
with the red pillow. So you might as well
leave it that way.
I go down to the edge of the sea.
How everything shines in the morning light!
The cusp of the whelk,
the broken cupboard of the clam,
the opened, blue mussels,
moon snails, pale pink and barnacle scarred—
and nothing at all whole or shut, but tattered, split,
dropped by the gulls onto the gray rocks and all the moisture gone.
It's like a schoolhouse
of little words,
thousands of words.
First you figure out what each one means by itself,
the jingle, the periwinkle, the scallop
full of moonlight.
Then you begin, slowly, to read the whole story.
So long as I am hanging on
I want to be young and noble.
I want to be bold.
So said the great buck, named Swirler,
as he stepped like a king past me
the week before he was arrow-killed.
And so said the wren in the bush
after another hard year
of love, of nest-life, or singing.
And so say I
every morning, just before sunrise,
wading the edge of the dark ocean.
I am Ebenezer Bleezer,
I run BLEEZER'S ICE CREAM STORE,
there are flavors in my freezer
you have never seen before,
twenty-eight divine creations
too delicious to resist,
why not do yourself a favor,
try the flavors on my list:
COCOA MOCHA MACARONI
TAPIOCA SMOKED BALONEY
CHECKERBERRY CHEDDAR CHEW
CHICKEN CHERRY HONEYDEW
TUTTI-FRUTTI STEWED TOMATO
TUNA TACO BAKED POTATO
LOBSTER LITCHI LIMA BEAN
MOZZARELLA MANGOSTEEN
ALMOND HAM MERINGUE SALAMI
YAM ANCHOVY PRUNE PASTRAMI
SASSAFRAS SOUVLAKI HASH
SUKIYAKI SUCCOTASH
BUTTER BRICKLE PEPPER PICKLE
POMEGRANATE PUMPERNICKEL
PEACH PIMENTO PIZZA PLUM
PEANUT PUMPKIN BUBBLEGUM
BROCCOLI BANANA BLUSTER
CHOCOLATE CHOP SUEY CLUSTER
AVOCADO BRUSSELS SPROUT
PERIWINKLE SAUERKRAUT
COTTON CANDY CARROT CUSTARD
CAULIFLOWER COLA MUSTARD
ONION DUMPLING DOUBLE DIP
TURNIP TRUFFLE TRIPLE FLIP
GARLIC GUMBO GRAVY GUAVA
LENTIL LEMON LIVER LAVA
ORANGE OLIVE BAGEL BEET
WATERMELON WAFFLE WHEAT
I am Ebenezer Bleezer,
I run BLEEZER'S ICE CREAM STORE,
taste a flavor from my freezer,
you will surely ask for more.
It's noisy, noisy overhead,
the birds are winging south,
and every bird is opening
a noisy, noisy mouth.
They fill the air with loud complaint,
they honk and quack and squawk—
they do not feel like flying,
but it's much too far to walk.
The library is dangerous—
Don’t go in. If you do
You know what will happen.
It’s like a pet store or a bakery—
Every single time you’ll come out of there
Holding something in your arms.
Those novels with their big eyes.
And those no-nonsense, all muscle
Greyhounds and Dobermans,
All non-fiction and business,
Cuddly when they’re young,
But then the first page is turned.
The doughnut scent of it all, knowledge,
The aroma of coffee being made
In all those books, something for everyone,
The deli offerings of civilization itself.
The library is the book of books,
Its concrete and wood and glass covers
Keeping within them the very big,
Very long story of everything.
The library is dangerous, full
Of answers. If you go inside,
You may not come out
The same person who went in.
Who has seen the wind?
Neither I nor you:
But when the leaves hang trembling,
The wind is passing through.
Who has seen the wind?
Neither you nor I:
But when the trees bow down their heads,
The wind is passing by.
The fog comes
on little cat feet.
It sits looking
over harbor and city
on silent haunches
and then moves on.
has properties, tension, behaves differently
from the rest of the water. If you fell
onto it from a height, you would bounce.
The surface would reject you, say
I’m a solid too – we can’t both be here,
but then the rest of the water would accept you,
take you into itself, pull you down
away from the surface, saying I’m sorry,
I want you, come in.
i must confess that waltzes
do not move me.
i have no sympathy
for symphonies.
i guess i hummed the Blues
too early,
and spent too many midnights
out wailing to the rain.
april is a dog's dream
the soft grass is growing
the sweet breeze is blowing
the air all full of singing feels just right
so no excuses now
we're going to the park
to chase and charge and chew
and I will make you see
what spring is all about
I am alive in Los Angeles!
I am alive in Los Angeles!
Here in the wild, wild west..
The warm wind hits my face,
I walk across stained concrete,
I cry tears of joy on Flower Street..
I watch families dancing
on their porches on Christmas Eve.
I smile widely.
I move thru the city,
my heart beating swiftly
as sirens speed by me.
I revel in the sadness—my soul is deep
I take full responsibility.
Give me everything!
It hurts—it's so beautiful!
The universal
Soulful multicultural
Emerging worldwide
tribe people
I am alive in Los Angeles!
In winter I get up at night
And dress by yellow candle-light.
In summer, quite the other way,
I have to go to bed by day.
I have to go to bed and see
The birds still hopping on the tree,
Or hear the grown-up people’s feet
Still going past me in the street.
And does it not seem hard to you,
When all the sky is clear and blue,
And I should like so much to play,
To have to go to bed by day?
I have a little shadow that goes in and out with me,
And what can be the use of him is more than I can see.
He is very, very like me from the heels up to the head;
And I see him jump before me, when I jump into my bed.
The funniest thing about him is the way he likes to grow—
Not at all like proper children, which is always very slow;
For he sometimes shoots up taller like an India-rubber ball,
And he sometimes gets so little that there’s none of him at all.
He hasn’t got a notion of how children ought to play,
And can only make a fool of me in every sort of way.
He stays so close beside me, he’s a coward you can see;
I’d think shame to stick to nursie as that shadow sticks to me!
One morning, very early, before the sun was up,
I rose and found the shining dew on every buttercup;
But my lazy little shadow, like an arrant sleepy-head,
Had stayed at home behind me and was fast asleep in bed.
How do you like to go up in a swing,
Up in the air so blue?
“Oh, I do think it the pleasantest thing
Ever a child can do!”
“Up in the air and over the wall,
Till I can see so wide,
Rivers and trees and cattle and all
Over the countryside--
“Till I look down on the garden green
Down on the roof so brown--
Up in the air I go flying again,
Up in the air and down!”
I live in a room by the sea,
where the view is great and the food is free.
Some of the tenants come and go.
Some I eat, if they're too slow.
One end of me is firmly locked.
The other end just gently rocks.
I live in a room by the sea.
It's perfect for an anemone.
Think
how many long years
this tree waited as a seed
for an animal or bird or wind or rain
to maybe carry it to maybe the right spot
where again it waited months for seasons to change
until time and temperature were fine enough to coax it
to swell and burst its hard shell so it could send slender roots
to clutch at grains of soil and let tender shoots reach toward the sun
Think how many decades or centuries it thickened and climbed and grew
taller and deeper never knowing if it would find enough water or light
or when conditions would be right so it could keep on spreading leaves
adding blossoms and dancing
Next time
you see
a tree
think
how
much
hope
it holds
Mother doesn't want a dog.
Mother says they smell,
And never sit when you say sit,
Or even when you yell.
And when you come home late at night
And there is ice and snow,
You have to go back out because
The dumb dog has to go.
Mother doesn't want a dog.
Mother says they shed,
And always let the strangers in
And bark at friends instead,
And do disgraceful things on rugs,
And track mud on the floor,
And flop upon your bed at night
And snore their doggy snore.
Mother doesn't want a dog.
She's making a mistake.
Because, more than a dog, I think
She will not want this snake.
The tires on my bike are flat.
The sky is grouchy gray.
At least it sure feels like that
Since Hanna moved away.
Chocolate ice cream tastes like prunes.
December's come to stay.
They've taken back the Mays and Junes
Since Hanna moved away.
Flowers smell like halibut.
Velvet feels like hay.
Every handsome dog's a mutt
Since Hanna moved away.
Nothing's fun to laugh about.
Nothing's fun to play.
They call me, but I won't come out
Since Hanna moved away.
Letting go
In order to hold one
I gradually understand
How poems are made.
There is a place the fear must go.
There is a place the choice must go.
There is a place the loss must go.
The leftover love.
The love that spills out
Of the too full cup
And runs and hides
Its too full self
In shame.
I gradually comprehend
How poems are made.
To the upbeat flight of memories.
The flagged beats of the running
Heart.
I understand how poems are made.
They are the tears
That season the smile.
The stiff-neck laughter
That crowds the throat.
The leftover love.
I know how poems are made.
There is a place the loss must go.
There is a place the gain must go.
The leftover love.
I’d like a different dog
For every kind of weather--
A narrow greyhound for a fog,
A wolfhound strange and white
With a tail like a silver feather
To run with in the night,
When snow is still, and winter stars are bright.
In the fall I’d like to see
In answer to my whistle,
A golden spaniel look at me.
But best of all for rain
A terrier, hairy as a thistle,
To trot with fine disdain
Beside me down the soaked, sweet-smelling lane.
I have eaten
the plums
that were in
the icebox
and which
you were probably
saving
for breakfast
Forgive me
they were delicious
so sweet
and so cold
The robin makes a laughing sound.
It makes me stop and look around
to see just what the robin sees—
fresh new leaves on twigs of trees,
a strong, high branch on which to rest,
a safe dry ledge to hold its nest.
The robin makes a laughing sound.
I stop. I always look around.
The pig is bigger
Than we had thought
And not so pink,
Fringed with white
Hairs that look
Gray, because while
They say a pig is clean,
It is not always; still,
We like this huge, cheerful
Rich, soft-bellied beast---
It wants to be comfortable,
And does not care much
How the thing is managed.
I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;
And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.
When I had laid it on the floor
I went to blow the fire a-flame,
But something rustled on the floor,
And someone called me by my name:
It had become a glimmering girl
With apple blossom in her hair
Who called me by my name and ran
And faded through the brightening air.
Though I am old with wandering
Through hollow lands and hilly lands,
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass,
And pluck till time and times are done,
The silver apples of the moon,
The golden apples of the sun.
I am the Earth
And the Earth is me.
Each blade of grass,
Each honey tree,
Each bit of mud,
And stick and stone
Is blood and muscle,
Skin and bone.
And just as I
Need every bit
Of me to make
My body fit,
So Earth needs
Grass and stone and tree
And things that grow here
Naturally.
That’s why we
Celebrate this day.
That’s why across
The world we say:
As long as life,
As dear, as free,
I am the Earth
And the Earth is me.