Mary Oliver

cantfindit

Born in a small town in Ohio, Mary Oliver published her first book of poetry in 1963 at the age of 28; No Voyage and Other Poems, originally printed in the UK by Dent Press, was reissued in the United States in 1965 by Houghton Mifflin. Oliver has since published many works of poetry and prose. As a young woman, Oliver studied at Ohio State University and Vassar College, but took no degree. She lived for several years at the home of Edna St. Vincent Millay in upper New York state, companion to the poet’s sister Norma Millay. It was there, in the late ’50s, that she met photographer Molly Malone Cook. For more than forty years, Cook and Oliver made their home together, largely in Provincetown, Massachusetts, where they lived until Cook’s death in 2005. Over the course of her long and illustrious career, Oliver has received numerous awards. Her fourth book, American Primitive, won the Pulitzer Prize for Poetry in 1984. She has also received the Shelley Memorial Award; a Guggenheim Fellowship; an American Academy and Institute of Arts and Letters Achievement Award; the Christopher Award and the L.L. Winship/PEN New England Award for House of Light; the National Book Award for New and Selected Poems; a Lannan Foundation Literary Award; and the New England Booksellers Association Award for Literary Excellence.  Oliver’s books on the craft of poetry, A Poetry Handbook and Rules for the Dance, are used widely in writing programs. She has led workshops at various colleges and universities, and held residencies at Case Western Reserve University, Bucknell University, University of Cincinnati, and Sweet Briar College. From 1995, for five years, she held the Catharine Osgood Foster Chair for Distinguished Teaching at Bennington College. She has been awarded Honorary Doctorates from The Art Institute of Boston (1998), Dartmouth College (2007) and Tufts University (2008). Oliver currently lives in Provincetown, Massachusetts, the inspiration for much of her work. Source

Breakage

I go down to the edge of the sea.

How everything shines in the morning light!

The cusp of the whelk,

the broken cupboard of the clam,

the opened, blue mussels,

moon snails, pale pink and barnacle scarred—

and nothing at all whole or shut, but tattered, split,

dropped by the gulls onto the gray rocks and all the moisture gone.

It's like a schoolhouse

of little words,

thousands of words.

First you figure out what each one means by itself,

the jingle, the periwinkle, the scallop

       full of moonlight.

 

Then you begin, slowly, to read the whole story.

Published:

2003

Length:

Shorty

Literary Movements:

Contemporary

Anthology Years:

2022

Themes:

Education & Learning

Nature

Literary Devices:

Imagery

visually descriptive or figurative language, especially in a literary work

Metaphor

a comparison between two unrelated things through a shared characteristic

Simile

a comparison between two unlike things using the words “like” or “as”

Varied syntax

diverse sentence structure