Jeremy says he want
that shmoney,
the kind of language
unwilling to count on itself.
I witness and am witnessed.
The shh of poverty
sinks my lips
into my father’s
shoulders, the kind you engineer
a runaway from.
I always condemn
and yet stay.
A legacy I whisper
in the Bronx,
contain my throat within
Jeremy’s bolted forearm.
I am my brother’s
chokehold. I want
to break him—for all he knows
I cannot conceive.
Even he does not talk
the way my poems need him to.
Upstate, the leaves are the only brown
amongst the deer and foliage,
see, see there, I know the word
for money but not its origin.
In ninth grade I pronounced
the word wrong, not the word,
its temperament, and the air shifts
the poverty in the train car
toward me. I am never the ghetto,
I am the memory which deceives
its repetition. Jeremy knows this.
He has my father’s eyes; I use
them to seal his tongue away.
This hunger for properness
has me renaming myself.
I am the deer no one resents
until it leaves the forest
and its divine architecture—
how all green has a gate choking it
I sell you this again and again,
I am the one
who gnaws on the diamonds
in the arches, who vomits
at company, but comes back
to turn my teeth to knives
as he did,
but my shoulders
they are so soft
and weighted
by nothing.
2020
Contemporary
2023
Identity
Poems of Place
Imagery
visually descriptive or figurative language, especially in a literary work
Metaphor
a comparison between two unrelated things through a shared characteristic
Personification
the attribution of human qualities to a non-human thing