Audre Lorde

cantfindit

Poet, essayist, and novelist Audre Lorde was born on February 18, 1934, in New York City. Lorde received her BA from Hunter College and an MLS from Columbia University. Her first volume of poems, The First Cities, was published in 1968. In 1968 she also became the writer-in-residence at Tougaloo College in Mississippi, where she discovered a love of teaching. The First Cities was quickly followed with Cables to Rage (1970) and From a Land Where Other People Live (1973), which was nominated for a National Book Award. In 1974 she published New York Head Shot and Museum. Whereas much of her earlier work focused on the transience of love, this book marked her most political work to date. In 1976, W. W. Norton released her collection Coal and shortly thereafter published The Black Unicorn. Lorde was diagnosed with cancer and chronicled her struggles in her first prose collection, The Cancer Journals, which won the Gay Caucus Book of the Year award for 1981. Her other prose volumes include Zami: A New Spelling of My Name (1982), Sister Outsider: Essays and Speeches (1984), and A Burst of Light (1988), which won a National Book Award. She received a fellowship from the National Endowment for the Arts in 1981. In the 1980s, Lorde and writer Barbara Smith founded Kitchen Table: Women of Color Press. She was also a founding member of Sisters in Support of Sisters in South Africa, an organization that worked to raise concerns about women under apartheid. Audre Lorde was professor of English at John Jay College of criminal justice and Hunter College. She was the poet laureate of New York from 1991-1992. She died of breast cancer in 1992. The Collected Poems of Audre Lorde was published in 1997. Source

Who Said It Was Simple

There are so many roots to the tree of anger 

that sometimes the branches shatter 

before they bear. 

 

Sitting in Nedicks 

the women rally before they march 

discussing the problematic girls 

they hire to make them free. 

An almost white counterman passes 

a waiting brother to serve them first 

and the ladies neither notice nor reject 

the slighter pleasures of their slavery. 

But I who am bound by my mirror

as well as my bed 

see causes in colour 

as well as sex 

 

and sit here wondering 

which me will survive 

all these liberations. 

Published:

1973

Length:

Shorty

Literary Movements:

Black Arts Movement

Anthology Years:

2023

Themes:

Politics

Racial Injustice

Womanhood

Literary Devices:

Enjambment

a line break interrupting the middle of a phrase which continues on to the next line

Metaphor

a comparison between two unrelated things through a shared characteristic