Terrance Hayes

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Terrance Hayes was born in Columbia, South Carolina, on November 18, 1971. He received a BA from Coker College in Hartsville, South Carolina, where he studied painting and English and was an Academic All-American on the men’s basketball team, and an MFA from the University of Pittsburgh writing program. Terrance Hayes is the author of eight collections of poetry, including American Sonnets for My Past and Future Assassin (Penguin Poets, 2018), which received the 2019 Hurston/Wright Foundation Legacy Award for poetry and was a finalist for the 2018 Los Angeles Times Book Prize in Poetry, the 2018 National Book Award in Poetry, the 2018 National Book Critics Circle Award in Poetry, and was shortlisted for the 2018 T. S. Eliot Prize; How to Be Drawn (Penguin Books, 2015), a finalist for both the National Book Award and the National Book Critics Circle Award, and winner of the 2016 NAACP Image Award for Poetry; Lighthead (Penguin, 2010), which won the National Book Award for Poetry; Wind in a Box (Penguin, 2006); Hip Logic (Penguin, 2002), which won the 2001 National Poetry Series and was a finalist for the Los Angeles Times Book Award; and Muscular Music (Tia Chucha Press, 1999), winner of the Kate Tufts Discovery Award. He is also the author of the collection, To Float In The Space Between: Drawings and Essays in Conversation with Etheridge Knight (Wave, 2018), which received the 2019 Pegasus Award for Poetry Criticism and was a finalist for the 2018 National Book Critics Circle Award in Non-Fiction. He has received many honors and awards, including a Whiting Writers Award, a Pushcart Prize, a Pegasus Award for Poetry Criticism, and three Best American Poetry selections, as well as fellowships from the National Endowment for the Arts and the Guggenheim Foundation. In 2014, he was named a recipient of a MacArthur Fellowship. He was elected a Chancellor of the Academy of American Poets in 2017 and serves as an ex officio member of the Academy's Board of Directors. He is currently Professor of English at New York University and resides in New York City. Source

American Sonnet for the New Year

Things got terribly ugly incredibly quickly 

Things got ugly embarrassingly quickly 

actually Things got ugly unbelievably quickly 

honestly Things got ugly seemingly infrequently 

initially Things got ugly ironically usually 

awfully carefully Things got ugly unsuccessfully 

occasionally Things got ugly mostly painstakingly 

quietly seemingly Things got ugly beautifully 

infrequently Things got ugly sadly especially 

frequently unfortunately Things got ugly 

increasingly obviously Things got ugly suddenly

embarrassingly forcefully Things got really ugly 

regularly truly quickly Things got really incredibly 

ugly Things will get less ugly inevitably hopefully 

Published:

2019

Length:

Regular

Literary Movements:

Contemporary

Anthology Years:

2023

Themes:

Politics

Literary Devices:

Anaphora

a figure of speech in which words repeat at the beginning of successive clauses, phrases, or sentences

Repetition

a recurrence of the same word or phrase two or more times

Varied syntax

diverse sentence structure