Sylvia Plath

cantfindit

Sylvia Plath (1932-1963) was a poet, novelist, and short-story writer born in Boston, Massachusetts. She received her BA from Smith College and studied at Newnham College, Cambridge on a Fulbright Scholarship. Plath famously suffered from depression throughout her life, the subject of her semi-autobiographical novel The Bell Jar. Source

The Applicant

First, are you our sort of a person?

Do you wear

A glass eye, false teeth or a crutch,

A brace or a hook,

Rubber breasts or a rubber crotch,

 

Stitches to show something's missing? No, no? Then

How can we give you a thing?

Stop crying.

Open your hand.

Empty? Empty. Here is a hand

 

To fill it and willing

To bring teacups and roll away headaches

And do whatever you tell it.

Will you marry it?

It is guaranteed

 

To thumb shut your eyes at the end

And dissolve of sorrow.

We make new stock from the salt.

I notice you are stark naked.

How about this suit——

 

Black and stiff, but not a bad fit.

Will you marry it?

It is waterproof, shatterproof, proof

Against fire and bombs through the roof.

Believe me, they'll bury you in it.

 

Now your head, excuse me, is empty.

I have the ticket for that.

Come here, sweetie, out of the closet.

Well, what do you think of that?

Naked as paper to start

 

But in twenty-five years she'll be silver,

In fifty, gold.

A living doll, everywhere you look.

It can sew, it can cook,

It can talk, talk, talk.

 

It works, there is nothing wrong with it.

You have a hole, it's a poultice.

You have an eye, it's an image.

My boy, it's your last resort.

Will you marry it, marry it, marry it.

Published:

1963

Length:

Regular

Literary Movements:

Confessionalism

Anthology Years:

2023

Themes:

Humor & Satire

Womanhood

Literary Devices:

Apostrophe

an exclamatory passage in a speech or poem addressed to a person (typically one who is dead or absent) or thing (typically one that is personified)

Extended Metaphor

a metaphor that extends through several lines or even an entire poem

Imagery

visually descriptive or figurative language, especially in a literary work

Polysyndeton

the repetition of conjunctions frequently and in close proximity in a sentence

Rhetorical Question

a question asked for effect, not necessarily to be answered