Gregory Orr

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The author of more than 10 collections of poetry and several volumes of essays, criticism, and memoir, Gregory Orr is a master of the short, personal lyric. His poetry has been widely anthologized and translated into at least 10 languages. Observes critic Hank Lazer, “From Burning the Empty Nests (1973) to the present, Orr gradually developed the ability to fuse his incredible skill at visual precision—the signature of his image-based work in his very first book—with an insistent musical quality, joining visual precision with a beauty of sound.” When Orr was 12, he accidentally killed his brother in a hunting accident, an event his family was never able to talk about. His mother died soon thereafter, and Orr found in poetry the transformative power of language. His near-death experience as a member of the Student Nonviolent Coordinating Committee (SNCC) during the civil rights movement, in which he was jailed and severely beaten, contributes to the urgency with which his poems seek transformation. In an NPR story on his craft, Orr states, “I believe in poetry as a way of surviving the emotional chaos, spiritual confusions, and traumatic events that come with being alive.” Source

How lucky we are that you can’t sell a poem

How lucky we are

That you can’t sell

A poem, that it has

No value. Might

As well

Give it away.

 

That poem you love,

That saved your life,

Wasn’t it given to you?

Published:

2005

Length:

Shorty

Literary Movements:

Contemporary

Anthology Years:

2023

Themes:

Ars Poetica

Literary Devices:

Enjambment

a line break interrupting the middle of a phrase which continues on to the next line

Rhetorical Question

a question asked for effect, not necessarily to be answered