Audre Lorde

cantfindit

Poet, essayist, and novelist Audre Lorde was born on February 18, 1934, in New York City. Lorde received her BA from Hunter College and an MLS from Columbia University. Her first volume of poems, The First Cities, was published in 1968. In 1968 she also became the writer-in-residence at Tougaloo College in Mississippi, where she discovered a love of teaching. The First Cities was quickly followed with Cables to Rage (1970) and From a Land Where Other People Live (1973), which was nominated for a National Book Award. In 1974 she published New York Head Shot and Museum. Whereas much of her earlier work focused on the transience of love, this book marked her most political work to date. In 1976, W. W. Norton released her collection Coal and shortly thereafter published The Black Unicorn. Lorde was diagnosed with cancer and chronicled her struggles in her first prose collection, The Cancer Journals, which won the Gay Caucus Book of the Year award for 1981. Her other prose volumes include Zami: A New Spelling of My Name (1982), Sister Outsider: Essays and Speeches (1984), and A Burst of Light (1988), which won a National Book Award. She received a fellowship from the National Endowment for the Arts in 1981. In the 1980s, Lorde and writer Barbara Smith founded Kitchen Table: Women of Color Press. She was also a founding member of Sisters in Support of Sisters in South Africa, an organization that worked to raise concerns about women under apartheid. Audre Lorde was professor of English at John Jay College of criminal justice and Hunter College. She was the poet laureate of New York from 1991-1992. She died of breast cancer in 1992. The Collected Poems of Audre Lorde was published in 1997. Source

A Litany for Survival

For those of us who live at the shoreline

standing upon the constant edges of decision

crucial and alone

for those of us who cannot indulge

the passing dreams of choice

who love in doorways coming and going

in the hours between dawns

looking inward and outward

at once before and after

seeking a now that can breed

futures

like bread in our children’s mouths

so their dreams will not reflect

the death of ours;

 

For those of us

who were imprinted with fear

like a faint line in the center of our foreheads

learning to be afraid with our mother’s milk

for by this weapon

this illusion of some safety to be found

the heavy-footed hoped to silence us

For all of us

this instant and this triumph

We were never meant to survive.

 

And when the sun rises we are afraid

it might not remain

when the sun sets we are afraid

it might not rise in the morning

when our stomachs are full we are afraid

of indigestion

when our stomachs are empty we are afraid

we may never eat again

when we are loved we are afraid

love will vanish

when we are alone we are afraid

love will never return

and when we speak we are afraid

our words will not be heard

nor welcomed

but when we are silent

we are still afraid

 

So it is better to speak

remembering

we were never meant to survive.

Published:

1978

Length:

Regular

Literary Movements:

Black Arts Movement

Anthology Years:

2021

2023

Themes:

Doubt & Fear

Literary Devices:

Anaphora

a figure of speech in which words repeat at the beginning of successive clauses, phrases, or sentences

Enjambment

a line break interrupting the middle of a phrase which continues on to the next line

Litany

Initially a prayer or supplication used in formal and religious processions, the litany has been more recently adopted as a poetic form that catalogues a series. This form typically includes repetitious phrases or movements, sometimes mimicking call-and-response.