After Rachel Eliza Griffiths’s “Self Stones Country” photographs
Know what the almost-gone dandelion knows. Piece by piece
The body prayers home. Its whole head a veil, a wind-blown bride.
When all the mothers gone, frame the portraits. Wood spoon over
Boiling pot, test the milk on your own wrist. You soil, sand, and mud grown bride.
If you miss your stop. Or lose love. If even the medicine hurts too.
Even when your side-eye, your face stank, still, your heart moans bride.
Fuck the fog back off the mirror. Trust the road in your name. Ride
Your moon hide through the pitch black. Gotsta be your own bride.
Burn the honey. Write the letters. What address could hold you?
Nectar arms, nectar hands. Old tire sound against the gravel. Baritone bride.
Goodest grief is an orchard you know. But you have not been killed
Once. Angel, put that on everything. Self. Country. Stone. Bride.
2016
Shorty
Contemporary
Identity
Poetic Form
Strength & Resilience
After Poems
A poem where the form, theme, subject, style, or line(s) is inspired by the work another poet.
Ekphrastic
a poem written about a piece of art that usually includes a description of the art and/or an imagined scene. Ekphrastic is Greek for “description.”
Ghazal
a short, lyrical poem that have five to 15 couplets, each one ending with the same word. Ghazals were originally used by Persian poets in Arabic verse.