Langston Hughes

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James Mercer Langston Hughes was born February 1, 1902, in Joplin, Missouri. He finished his college education at Lincoln University in Pennsylvania in 1929. In 1930 his first novel, Not Without Laughter (Knopf, 1930), won the Harmon gold medal for literature. Hughes, who claimed Paul Lawrence Dunbar, Carl Sandburg, and Walt Whitman as his primary influences, is particularly known for his insightful portrayals of black life in America from the twenties through the sixties. He wrote novels, short stories, plays, and poetry, and is also known for his engagement with the world of jazz and the influence it had on his writing, as in his book-length poem Montage of a Dream Deferred (Holt, 1951). His life and work were enormously important in shaping the artistic contributions of the Harlem Renaissance of the 1920s. Unlike other notable black poets of the period such as Claude McKay, Jean Toomer, and Countee Cullen, Hughes refused to differentiate between his personal experience and the common experience of black America. He wanted to tell the stories of his people in ways that reflected their actual culture, including their love of music, laughter, and language itself alongside their suffering. In addition to leaving us a large body of poetic work, Hughes wrote eleven plays and countless works of prose, including the well-known “Simple” books: Simple Speaks His Mind (Simon & Schuster, 1950); Simple Stakes a Claim (Rinehart, 1957); Simple Takes a Wife (Simon & Schuster, 1953); and Simple's Uncle Sam (Hill and Wang, 1965). He edited the anthologies The Poetry of the Negro and The Book of Negro Folklore, wrote an acclaimed autobiography, The Big Sea (Knopf, 1940), and cowrote the play Mule Bone (HarperCollins, 1991) with Zora Neale Hurston. Langston Hughes died of complications from prostate cancer on May 22, 1967, in New York City. Source

If-ing

If I had some small change

I’d buy me a mule,

Get on that mule and

Ride like a fool.

 

If I had some greenbacks

I’d buy me a Packard,

Fill it up with gas and

Drive that baby backward.

 

If I had a million

I’d get me a plane

And everybody in America’d

Think I was insane.

 

But I ain’t got a million,

Fact is, ain’t got a dime—

So just by if-ing

I have a good time!

Published:

2002

Length:

Shorty

Literary Movements:

Harlem Renaissance

Anthology Years:

2023

Themes:

Faith & Hope

Poems of the Everyday

Literary Devices:

Anaphora

a figure of speech in which words repeat at the beginning of successive clauses, phrases, or sentences

Rhyme

correspondence of sound between words or the endings of words, especially when these are used at the ends of lines of poetry