En Cuba tuve—
I’m tired of hearing your complaints.
All that whining about el exilio, the tragedy of loss,
In Cuba I had—
the catalogue of things, the status, the riches,
the opulence of it all.
I had a mate. We were a pair. Our mistress was young. We
were young. We would dangle on her ear
Concentrate on what you have.
Forget the past.
and go out on the town. Mojitos at La Floridita,
dancing at the Tropicana and later
No, don’t tell me about later.
in the jewel case, an aqua Tiffany box
with white satin interior, we
Tiffany’s? From New York? I didn’t know you—
would lie together in the pillowy luxury,
my ruby top layer and his aligned, our bases
Please you needn’t—
touching, my diamond waist and his forming a continuous
line. Sometimes we would switch backs, I’d push
I understand that in communities of exile
the population
my piercing needle through his back, his
through mine. That’s
tends to lose ground politically as
assimilation takes place, that
how I liked it best, a little harsh, but sweet.
Tu y yo, you and I, is what she called us because our very
longing is a constitutive ingredient
of not only the condition of exile but—
body parts were paired, he and I, forming a single unit, an I and a
thou. Apart
Surely you have adjusted. Look, you’re mounted on a ring, you
are independent, and prized. Very attractive for your age, I might add.
we are nothing. Longing doesn’t quite—
One adapts?
As to an amputation.
And La Revolución?
Don’t make me vomit.
History of your name
2007
Regular
Contemporary
2023
Agency
Bilingual
Identity
Intersectionality & Culture
Poems of Place
Politics
Dialogue
conversation between two or more people as a feature of a book, play, or movie
Metaphor
a comparison between two unrelated things through a shared characteristic
Simile
a comparison between two unlike things using the words “like” or “as”