Francisco X. Alarcón

cantfindit

Chicano poet and educator Francisco Xavier Alarcón was born in Wilmington, California, on February 21, 1954. During his childhood, Alarcón straddled the line between cultures, spending time living with his parents outside of Los Angeles and his other relatives in Guadalajara, Mexico. This diverse upbringing would significantly influence Alarcón’s work, leading him to become, as he says, a “binational, bicultural, and a bilingual writer.”  Alarcón has published numerous poetry collections, including Canto hondo/Deep Song (University of Arizona Press, 2015), and Borderless Butterflies: Earth Haikus and Other Poems/Mariposas sin fronteras: Haikus terrenales y otros poemas (Poetic Matrix Press, 2014). An advocate of bilingual education and using poetry as a tool of empowerment, knowledge, and understanding, Alarcón has published several Spanish language instruction textbooks and written a number of award-winning, bilingual poetry books for children. His honors include the 1993 American Book Award, Carlos Pellicer-Robert Frost Poetry Honor Award, Chicano Literary Prize, Fred Cody Lifetime Achievement Award, and the 1993 PEN Oakland Josephine Miles Award. Alarcón was a lecturer of Spanish and the director of the Spanish for Native Speakers program at the University of California, Davis. He died on January 15, 2016. Source

LA Prayer

April 1992

 

something 

was wrong

when buses

didn’t come

 

streets 

were 

no longer 

streets 

 

how easy

hands 

became 

weapons 

 

blows 

gunfire 

rupturing 

the night

 

the more

we run 

the more

we burn

 

o god

show us

the way

lead us

 

spare us

from ever 

turning into

walking 

 

matches

amidst 

so much

 

gasoline

 

Published:

2002

Length:

Regular

Literary Movements:

Contemporary

Anthology Years:

2023

Themes:

Agency

Doubt & Fear

Identity

Poems of Place

Violence & War

Literary Devices:

After Poems

A poem where the form, theme, subject, style, or line(s) is inspired by the work another poet.

Media Res

a literary work that begins in the middle of the action (from the Latin “into the middle of things)

Personification

the attribution of human qualities to a non-human thing