Gwendolyn Brooks

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Gwendolyn Brooks was born in Topeka, Kansas, on June 7, 1917, and raised in Chicago. She was the author of more than twenty books of poetry, including Children Coming Home (The David Co., 1991); Blacks (The David Co., 1987); To Disembark (Third World Press, 1981); The Near-Johannesburg Boy and Other Poems (The David Co., 1986); Riot (Broadside Press, 1969); In the Mecca (Harper & Row, 1968); The Bean Eaters (Harper, 1960); Annie Allen (Harper, 1949), for which she received the Pulitzer Prize; and A Street in Bronzeville (Harper & Brothers, 1945). She also wrote numerous other books including a novel, Maud Martha (Harper, 1953), and Report from Part One: An Autobiography (Broadside Press, 1972), and edited Jump Bad: A New Chicago Anthology (Broadside Press, 1971). In 1968 she was named poet laureate for the state of Illinois. In 1985, she was the first black woman appointed as consultant in poetry to the Library of Congress, a post now known as Poet Laureate. She also received an American Academy of Arts and Letters Award, the Frost Medal, a National Endowment for the Arts Award, the Shelley Memorial Award, and fellowships from the Academy of American Poets and the Guggenheim Foundation. She lived in Chicago until her death on December 3, 2000. Source

We Real Cool

      The Pool Players.

        Seven at the Golden Shovel.

 

            We real cool. We   

            Left school. We

 

            Lurk late. We

            Strike straight. We

 

            Sing sin. We   

            Thin gin. We

 

            Jazz June. We   

            Die soon.

Published:

1960

Length:

Shorty

Literary Movements:

Black Arts Movement

Anthology Years:

2020

2023

Themes:

Intersectionality & Culture

Persona Poems

Racial Injustice

Literary Devices:

Alliteration

the repetition of the same letter or sound at the beginning of words appearing in succession

Anaphora

a figure of speech in which words repeat at the beginning of successive clauses, phrases, or sentences

Enjambment

a line break interrupting the middle of a phrase which continues on to the next line

Rhyme

correspondence of sound between words or the endings of words, especially when these are used at the ends of lines of poetry