Raych Jackson

cantfindit

Rachel “Raych” Jackson is a writer, educator and performer. While teaching in Chicago Public Schools for five years, she competed on numerous national poetry teams and individual competitions. She is the 2017 NUPIC Champion and a 2017 Pink Door fellow. Rachel recently voiced ‘DJ Raych’ in the game Mad Verse City. In October 2018 her latest play, Emotions and Bots, premiered at the Woerdz Festival in Lucerne Switzerland. She co-created the monthly poetry show Big Kid Slam. Rachel’s work has been published by many—including Poetry Magazine, The Rumpus, and 29Rooms through Refinery29. She is working on her first collection of poems in Chicago and proudly loves every episode of Bob’s Burgers. Source

A sestina for a black girl who does not know how to braid hair

Your hands have no more worth than tree stumps at harvest.

Don’t sit on my porch while I make myself useful.

Braid secrets in scalps on summer days for my sisters.

Secure every strand of gossip with tight rubber bands of value.

What possessed you to ever grow your nails so long?

How can you have history without braids?

 

A black girl is happiest when rooted to the scalp are braids.

She dances with them whipping down her back like corn in winds of harvest.

Braiding forces our reunions to be like the shifts your mothers work, long.

I find that being surrounded by only your own is more useful.

Gives our mixed blood more value.

Solidifies your place with your race, with your sisters.

 

Your block is a layered cake of your sisters.

Force your lips quiet and sweet and they’ll speak when they need to practice braids.

Your hair length is the only part of you that holds value.

The tallest crop is worshipped at harvest.

So many little hands in your head. You are finally useful.

Your hair is yours, your hair is theirs, your hair is, for a black girl, long.

 

Tender-headed ass won’t last ’round here long.

Cut your nails and use your fists to protect yourself against your sisters.

Somehow mold those hands useful.

You hair won’t get pulled in fights if they are in braids.

Beat out the weak parts of the crops during harvest.

When they are limp and without soul they have value.

 

If you won’t braid or defend yourself what is your value?

Sitting on the porch until dark sweeps in needing to be invited, you’ll be needing long.

When the crop is already used what is its worth after harvest?

You’ll learn that you can’t ever trust those quick to call themselves your sisters.

They yearn for the gold that is your braids.

You hold on your shoulders a coveted item that is useful.

 

Your presence will someday become useful.

One day the rest of your body will stagger under the weight of its value.

Until then, sit in silence in the front with your scalp on fire from the braids.

I promise you won’t need anyone too long.

One day you will love yourself on your own, without the validation of sisters.

No longer a stump wailing for affection at harvest.

Published:

2018

Length:

Regular

Literary Movements:

Contemporary

Anthology Years:

2021

2023

Themes:

Identity

Poetic Form

Literary Devices:

Rhetorical Question

a question asked for effect, not necessarily to be answered

Sestina

a poem with six stanzas of six lines and a final triplet, all stanzas having the same six words at the line-ends in six different sequences that follow a fixed pattern, and with all six words appearing in the closing three-line envoi