Li-Young Lee

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Li-Young Lee was born in 1957 in Jakarta, Indonesia, to Chinese parents. His father had been a personal physician to Mao Zedong while in China, and relocated the family to Indonesia, where he helped found Gamaliel University. In 1959, the Lee family fled the country to escape anti-Chinese sentiment and after a five-year trek through Hong Kong, Macau, and Japan, they settled in the United States in 1964. Lee attended the University of Pittsburgh and University of Arizona, and the State University of New York at Brockport. He has taught at several universities, including Northwestern and the University of Iowa. He is the author of The Undressing (W. W. Norton, 2018); Behind My Eyes (W. W. Norton, 2008); Book of My Nights (BOA Editions, 2001), which won the 2002 William Carlos Williams Award; The City in Which I Love You (BOA Editions, 1990), which was the 1990 Lamont Poetry Selection; and Rose (BOA Editions, 1986), which won the Delmore Schwartz Memorial Poetry Award.  He has been the recipient of a Fellowship from the Academy of American Poets, a Lannan Literary Award, a Whiting Writer's Award, the PEN Oakland/Josephine Miles Award, the I. B. Lavan Award, three Pushcart Prizes, and grants from the Illinois Arts Council, the Commonwealth of Pennsylvania, the Pennsylvania Council on the Arts, and the National Endowment for the Arts, as well as a Guggenheim Foundation fellowship. In 1998, he received the honorary degree of Doctor of Humane Letters from State University of New York at Brockport. He lives in Chicago, Illinois, with his wife and their two sons. Source

The Gift

To pull the metal splinter from my palm

my father recited a story in a low voice.

I watched his lovely face and not the blade.

Before the story ended, he’d removed

the iron sliver I thought I’d die from.

 

I can’t remember the tale,

but hear his voice still, a well

of dark water, a prayer.

And I recall his hands,

two measures of tenderness

he laid against my face,

the flames of discipline

he raised above my head.

 

Had you entered that afternoon

you would have thought you saw a man

planting something in a boy’s palm,

a silver tear, a tiny flame.

Had you followed that boy

you would have arrived here,

where I bend over my wife’s right hand.

 

Look how I shave her thumbnail down

so carefully she feels no pain.

Watch as I lift the splinter out.

I was seven when my father

took my hand like this,

and I did not hold that shard

between my fingers and think,

Metal that will bury me,

christen it Little Assassin,

Ore Going Deep for My Heart.

And I did not lift up my wound and cry,

Death visited here!

I did what a child does

when he’s given something to keep.

I kissed my father.

Published:

1986

Length:

Regular

Literary Movements:

Contemporary

Anthology Years:

2020

Themes:

Childhood & Coming of Age

Family

Literary Devices:

Extended Metaphor

a metaphor that extends through several lines or even an entire poem

Metaphor

a comparison between two unrelated things through a shared characteristic

Sensory Detail

words used to invoke the five senses (vision, hearing, taste, touch, smell)