Eloisa Amezcua

cantfindit

Eloisa Amezcua (1989-present) is a Latinx poet from Arizona, though she currently resides in Columbus, Ohio. She received her BA in English from the University of San Diego and her MFA from Emerson College. She has written the chapbooks On Not Screaming, Symptoms of Teething, and Mexicamericana as well as the poetry collection From the Inside Quietly. She is the co-founder and editor-in-chief of the poetry journal The Shallow Ends, the associative poetry editor of Honeysuckle Press, and founder of Costura Creative, a Latinx owned and operated talent agency. Source

Teaching My Mother English over the Phone

I try to explain the difference           between pant & pants

why the former isn’t simply            one pair

 

but what the lungs do           with fear or excitement

why clothe isn’t           a singular noun

 

but what most do to the body           each morning

she calls on a Wednesday           needs help

 

with an assignment           for her third English

beginners course where she meets           twice a week

 

her classmates from countries           with names beautiful as hers

I try to make the language           clear to my mother

 

as she one day           —before my English took hold—

explained to me that           I did not in fact make friends

 

                    with a girl named Sorry:

 

          but we were on the playground and she hit me, fue accidenté,

          y me dijo “I’m sorry” & when someone says I am, yo soy—

 

that’s not how this works I remind her

 

when she asks           if the plural of dust is dusts

she asks me to conjugate           love

 

I love you           love he loves          she loved

we loved you           have loved           I am loving

 

she wants to know how           a word can be both

a thing and an action           like war & mistake

 

although I can’t           put into words in Spanish

how I know the difference           so I tell her I have to go

 

and I go & she goes           & I haven’t taught her

anything           & for that I am sorry           to no one but myself

Published:

2018

Length:

Regular

Shorty

Literary Movements:

Contemporary

Anthology Years:

2020

Themes:

Ars Poetica

Bilingual

Family

Intersectionality & Culture

Literary Devices:

Antanaclasis

The repetition of a word within a phrase, in which the second use of the word utilizes a different and sometimes contrary meaning from the first.

Asyndeton

the absence of a conjunction (for, and, nor, but, or, yet, so…) between phrases and within a sentence

Caesura

a break between words within a metrical foot

Enjambment

a line break interrupting the middle of a phrase which continues on to the next line

Hyperbaton

An inversion of typical syntax (word order).

Polysyndeton

the repetition of conjunctions frequently and in close proximity in a sentence

Repetition

a recurrence of the same word or phrase two or more times