Lucille Clifton

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Lucille Clifton was born in Depew, New York, on June 27, 1936. Her first book of poems, Good Times (Random House, 1969), was rated one of the best books of the year by the New York Times. Clifton remained employed in state and federal government positions until 1971, when she became a writer in residence at Coppin State College in Baltimore, Maryland, where she completed two collections: Good News About the Earth (Random House, 1972) and An Ordinary Woman (Random House, 1974). She was the author of several other collections of poetry, including Blessing the Boats: New and Selected Poems 1988–2000 (BOA Editions, 2000), which won the National Book Award; Good Woman: Poems and a Memoir 1969-1980 (BOA Editions, 1987), which was nominated for the Pulitzer Prize; and Two-Headed Woman (University of Massachusetts Press, 1980), also a Pulitzer Prize nominee as well as the recipient of the University of Massachusetts Press Juniper Prize. Clifton was also the author of Generations: A Memoir (Random House, 1976) and more than sixteen books for children, written expressly for an African-American audience. Her honors include an Emmy Award from the American Academy of Television Arts and Sciences, a Lannan Literary Award, two fellowships from the National Endowment for the Arts, the Shelley Memorial Award, the YM-YWHA Poetry Center Discovery Award, and the 2007 Ruth Lilly Prize. In 1999, she was elected a Chancellor of the Academy of American Poets. She served as Poet Laureate for the State of Maryland from 1979 to 1985, and Distinguished Professor of Humanities at St. Mary’s College of Maryland. Source

won’t you celebrate with me

won't you celebrate with me

what i have shaped into

a kind of life? i had no model.

born in babylon

both nonwhite and woman

what did i see to be except myself?

i made it up

here on this bridge between

starshine and clay,

my one hand holding tight

my other hand; come celebrate

with me that everyday

something has tried to kill me

and has failed.

Published:

1993

Length:

Shorty

Literary Movements:

Contemporary

Anthology Years:

Themes:

Identity

Strength & Resilience

Womanhood

Literary Devices:

Alliteration

the repetition of the same letter or sound at the beginning of words appearing in succession

Rhetorical Question

a question asked for effect, not necessarily to be answered