A. E. Stallings

cantfindit

A.E. Stallings is an American poet who studied Classics at the University of Georgia and Oxford.  She has published three collections of poetry, Archaic Smile, Hapax, and Olives, and a verse translation (in rhyming fourteeners!) of Lucretius, The Nature of Things.  She has received a translation grant from the National Endowment for the Arts, and fellowships from United States Artists, the Guggenheim Foundation, and the MacArthur Foundation.  She is also a member of the American Academy of Arts and Sciences.  She speaks and lectures widely on a variety of topics, and has been a regular faculty member at the West Chester Poetry Conference and the Sewanee Summer Writers' Conference. Having studied in Athens, Georgia, she now lives in Athens, Greece, with her husband, the journalist, John Psaropoulos, and their two argonauts, Jason and Atalanta. Source

Sestina: Like

With a nod to Jonah Winter

 

Now we’re all “friends,” there is no love but Like,

A semi-demi goddess, something like

A reality-TV star look-alike,

Named Simile or Me Two. So we like

In order to be liked. It isn’t like

There’s Love or Hate now. Even plain “dislike”

 

Is frowned on: there’s no button for it. Like

Is something you can quantify: each “like”

You gather’s almost something money-like,

Token of virtual support. “Please like

This page to stamp out hunger.” And you’d like

To end hunger and climate change alike,

 

But it’s unlikely Like does diddly. Like

Just twiddles its unopposing thumbs-ups, like-

Wise props up scarecrow silences. “I’m like,

So OVER him,” I overhear. “But, like,

He doesn’t get it. Like, you know? He’s like

It’s all OK. Like I don’t even LIKE

 

Him anymore. Whatever. I’m all like ... ”

Take “like” out of our chat, we’d all alike

Flounder, agape, gesticulating like

A foreign film sans subtitles, fall like

Dumb phones to mooted desuetude. Unlike

With other crutches, um, when we use “like,”

 

We’re not just buying time on credit: Like

Displaces other words; crowds, cuckoo-like,

Endangered hatchlings from the nest. (Click “like”

If you’re against extinction!) Like is like

Invasive zebra mussels, or it’s like

Those nutria-things, or kudzu, or belike

 

Redundant fast food franchises, each like

(More like) the next. Those poets who dislike

Inversions, archaisms, who just like

Plain English as she’s spoke — why isn’t “like”

Their (literally) every other word? I’d like

Us just to admit that’s what real speech is like.

 

But as you like, my friend. Yes, we’re alike,

How we pronounce, say, lichen, and dislike

Cancer and war. So like this page. Click Like.

Published:

2013

Length:

Regular

Literary Movements:

Contemporary

Anthology Years:

Themes:

Education & Learning

Humor & Satire

Poetic Form

Literary Devices:

After Poems

A poem where the form, theme, subject, style, or line(s) is inspired by the work another poet.

Epistrophe

the repetition of a word or phrase at the end of successive clauses

Irony

the expression of one's meaning by using language that normally signifies the opposite, typically for humorous or emphatic effect

Sarcasm

the use of irony to mock or convey contempt

Sestina

a poem with six stanzas of six lines and a final triplet, all stanzas having the same six words at the line-ends in six different sequences that follow a fixed pattern, and with all six words appearing in the closing three-line envoi

Simile

a comparison between two unlike things using the words “like” or “as”