Ocean Vuong

cantfindit

Ocean Vuong is the author of The New York Times bestselling novel, On Earth We're Briefly Gorgeous, out from Penguin Press (2019) and forthcoming in 30 languages. A recipient of a 2019 MacArthur "Genius" Grant, he is also the author of the critically acclaimed poetry collection, Night Sky with Exit Wounds, a New York Times Top 10 Book of 2016, winner of the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award, and the Forward Prize for Best First Collection. A Ruth Lilly fellow from the Poetry Foundation, his honors include fellowships from the Lannan Foundation, the Civitella Ranieri Foundation, The Elizabeth George Foundation, The Academy of American Poets, and the Pushcart Prize. Vuong's writings have been featured in The Atlantic, Granta, Harpers, The Nation, New Republic, The New Yorker, The New York Times, The Paris Review, The Village Voice, and American Poetry Review, which awarded him the Stanley Kunitz Prize for Younger Poets. Selected by Foreign Policy magazine as a 2016 100 Leading Global Thinker, Ocean was also named by BuzzFeed Books as one of “32 Essential Asian American Writers” and has been profiled on NPR’s “All Things Considered,” PBS NewsHour, Teen Vogue, Interview, Poets & Writers, and The New Yorker. Born in Saigon, Vietnam and raised in Hartford, Connecticut in a working class family of nail salon and factory laborers, he was educated at nearby Manchester Community College before transferring to Pace University to study International Marketing. Without completing his first term, he dropped out of Business school and enrolled at Brooklyn College, where he graduated with a BA in Nineteenth Century American Literature. He subsequently received his MFA in Poetry from NYU.  He currently lives in Northampton, Massachusetts where he serves as an Associate Professor in the MFA Program for Poets and Writers at UMass-Amherst. Source

excerpt from “Theology”

Do you remember when I tried to be good.

It was a bad time.

So much was burning without a source.

I’m sorry I was so young.

I didn’t mean it.

It’s just this thing is heavy.

How could anyone hold all of it & not melt.

I thought gravity was a law, which meant it could be broken.

But it’s more like a language. Once you’re in it

you never get out. A fool, I climbed out the window

just to look at the stars.

It was too dark & the crickets sounded like people I know

saying something I don’t.

I think I had brothers.

Think I heard them crying once, then laughing, until the laughing

was just in my head.

Published:

2024

Length:

Regular

Literary Movements:

Contemporary

Anthology Years:

2025

Themes:

Childhood & Coming of Age

Faith & Hope

Family

Mental Health

Science & Climate

Literary Devices:

Analogy

a figure of speech that creates a comparison by showing how two seemingly different entities are alike, along with illustrating a larger point due to their commonalities

Enjambment

a line break interrupting the middle of a phrase which continues on to the next line

Juxtaposition

the fact of two things being seen or placed close together with contrasting effect

Surrealism

a style of art and literature in which ideas, images, and objects are combined in a strange, dreamlike way.