Joshua Bennett

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Joshua Bennett is an American writer and professor born in Yonkers, New York. Bennett’s academic performance in middle school earned him a scholarship to a choice private high school, where he was one of very few Black students. He would spend four hours every school day commuting on the bus and train–time he would spend reading, nurturing his growing passion for literature. Bennett’s impressive academic resume is made up of a dual BA in English and Africana Studies from the University of Pennsylvania (where he graduated magna cum laude), a Theatre Performance Studies M. from the University of Warwick that he earned as a Marshall scholar in the U.K., and an MA and PhD in English from Princeton University. Bennett was a junior fellow at Harvard University and a visiting lecturer at schools like the Massachusetts Institute of Technology and the University of Pittsburgh before becoming a professor of English and creative writing at Dartmouth University, where he currently works. Bennett’s academic research focus is broad and covers topics such as African American literature of the 20th and 21st centuries, Black poetics, and environmental studies. His personal writing and poetry pulls from his knowledge of African American history and literary tradition and explores topics of race and class, with his experiences navigating being a Black student in a majority white high school and a Black professor in a historically white industry also holding much relevance in his writing. He has made appearances to perform his work at the White House for President Barack Obama, the Sundance Film Festival, and at the NAACP Image Awards, where he was a finalist for his poetry. Bennett is the author of two collections of poetry, The Sobbing School (2016) and Owed (2020), and a book of literary criticism titled Being Property Once Myself: Blackness and the End of Man (2020). Source

Photo Credit: Kathy Ryan

 

Trash

Attack, balderdash, blackness (they call from the rafters), blather

-skite, claptrap, crap, codswallop, a dollop of damns in generally

pristine prose or speech, drivel, dross, effluvia, fiddle-faddle, flap

-doodle (a personal favorite), folderol, garbage, guff, hogwash,

hokum, horsefeathers (you can almost envision Pegasus mid-flight),

humbug, imitation (not the thing itself but the accusation), jazz, junk,

kaput, lambast, loss, malarkey, mass entertainment, mass incarceration’s

psychic aim (a problem isn’t real if you no longer see it), muck, mush,

nonsense, nuts, oblivion, piffle, poppycock, quagmire, refuse, rubbish,

slush, tommyrot, tosh, trash (as in the everyday phenomenon but

also talk), twaddle, undercard (ostensibly), underdog (mentally,

you recite their harms before the fight begins), vilipend, wreckage,

excess, extra, yack, youth that cannot be used, zip, zero, easy.

Published:

2023

Length:

Regular

Literary Movements:

Contemporary

Anthology Years:

2025

Themes:

Humor & Satire

Poetic Form

Politics

Racial Injustice

Strength & Resilience

Literary Devices:

Abecedarian

an ancient form that is guided by alphabetical order. When written in English, each line or stanza generally begins with the letters of the alphabet in order. The form was traditionally used in ancient cultures for sacred writings such as prayers, hymns, and psalms.

Alliteration

the repetition of the same letter or sound at the beginning of words appearing in succession

Asyndeton

the absence of a conjunction (for, and, nor, but, or, yet, so…) between phrases and within a sentence

Internal Rhyme

A rhyme involving a word in the middle of a line and another at the end of the line or in the middle of the next.

Juxtaposition

the fact of two things being seen or placed close together with contrasting effect

List Poem

A list poem features an inventory of people, places, things, or ideas organized in a particular way, usually numbered.

Onomatopoeia

A word that, when spoken aloud, has a sound that is associated with the thing or action being named.