William Blake

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William Blake (November 28, 1757 - August 12, 1827) was an English poet, painter, and printmaker. Largely unrecognized during his lifetime, Blake's work is now considered seminal in the history of both poetry and the visual arts. Blake's prophetic poetry has been said to form "what is in proportion to its merits the least read body of poetry in the (English) language". His visual artistry has led one modern critic to proclaim him "far and away the greatest artist Britain has ever produced".  Although he only once travelled any further than a day's walk outside London over the course of his life, his creative vision engendered a diverse and symbolically rich corpus, which embraced 'imagination' as "the body of God", or "Human existence itself".  Source

The Tyger

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

 

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare sieze the fire?

 

And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?

 

What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?

 

When the stars threw down their spears,
And water'd heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?

 

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?

Published:

1794

Length:

Regular

Literary Movements:

Romanticism

Anthology Years:

2024

Themes:

Doubt & Fear

Nature

Literary Devices:

End Rhyme

when a poem has lines ending with words that sound the same

Quatrain

A stanza made of four lines.

Repetition

a recurrence of the same word or phrase two or more times

Rhetorical Question

a question asked for effect, not necessarily to be answered

Rhyme

correspondence of sound between words or the endings of words, especially when these are used at the ends of lines of poetry