Gregory Orr

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The author of more than 10 collections of poetry and several volumes of essays, criticism, and memoir, Gregory Orr is a master of the short, personal lyric. His poetry has been widely anthologized and translated into at least 10 languages. Observes critic Hank Lazer, “From Burning the Empty Nests (1973) to the present, Orr gradually developed the ability to fuse his incredible skill at visual precision—the signature of his image-based work in his very first book—with an insistent musical quality, joining visual precision with a beauty of sound.” When Orr was 12, he accidentally killed his brother in a hunting accident, an event his family was never able to talk about. His mother died soon thereafter, and Orr found in poetry the transformative power of language. His near-death experience as a member of the Student Nonviolent Coordinating Committee (SNCC) during the civil rights movement, in which he was jailed and severely beaten, contributes to the urgency with which his poems seek transformation. In an NPR story on his craft, Orr states, “I believe in poetry as a way of surviving the emotional chaos, spiritual confusions, and traumatic events that come with being alive.” Source

excerpt from “Concerning the Book that is the Body of the Beloved”

To be alive: not just the carcass

But the spark.

That’s crudely put, but…

 

If we’re not supposed to dance,

Why all this music?

 

Published:

2005

Length:

Shorty

Literary Movements:

Contemporary

Anthology Years:

2024

Themes:

Body & Body Image

Poems of the Everyday

Literary Devices:

Ellipsis

a literary device that is used in narratives to omit some parts of a sentence or event, which gives the reader a chance to fill the gaps while acting or reading it out.

Rhetorical Question

a question asked for effect, not necessarily to be answered