Ocean Vuong

cantfindit

Ocean Vuong is the author of The New York Times bestselling novel, On Earth We're Briefly Gorgeous, out from Penguin Press (2019) and forthcoming in 30 languages. A recipient of a 2019 MacArthur "Genius" Grant, he is also the author of the critically acclaimed poetry collection, Night Sky with Exit Wounds, a New York Times Top 10 Book of 2016, winner of the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award, and the Forward Prize for Best First Collection. A Ruth Lilly fellow from the Poetry Foundation, his honors include fellowships from the Lannan Foundation, the Civitella Ranieri Foundation, The Elizabeth George Foundation, The Academy of American Poets, and the Pushcart Prize. Vuong's writings have been featured in The Atlantic, Granta, Harpers, The Nation, New Republic, The New Yorker, The New York Times, The Paris Review, The Village Voice, and American Poetry Review, which awarded him the Stanley Kunitz Prize for Younger Poets. Selected by Foreign Policy magazine as a 2016 100 Leading Global Thinker, Ocean was also named by BuzzFeed Books as one of “32 Essential Asian American Writers” and has been profiled on NPR’s “All Things Considered,” PBS NewsHour, Teen Vogue, Interview, Poets & Writers, and The New Yorker. Born in Saigon, Vietnam and raised in Hartford, Connecticut in a working class family of nail salon and factory laborers, he was educated at nearby Manchester Community College before transferring to Pace University to study International Marketing. Without completing his first term, he dropped out of Business school and enrolled at Brooklyn College, where he graduated with a BA in Nineteenth Century American Literature. He subsequently received his MFA in Poetry from NYU.  He currently lives in Northampton, Massachusetts where he serves as an Associate Professor in the MFA Program for Poets and Writers at UMass-Amherst. Source

Headfirst

Khong co gi bang com voi ca.

Khong co gi bang ma voi can.

                     Vietnamese proverb

 

Don’t you know? A mother’s love

                                   neglects
pride

                         the
way fire

neglects the cries

         of
what it burns. My son,

                                             even
tomorrow

you will have today. Don’t you know?

                       There
are men who touch breasts

                                        as
they would

            the
tops of skulls. Men

who carry dreams

         over
mountains, the dead

                                             on
their backs.

But only a mother can walk

                                   with
the weight

of a second beating heart.

                                                   Stupid
boy.

          You
can get lost in every book

but you’ll never forget yourself

                                   the
way god forgets

his hands.

                     When
they ask you

                               where
you’re from,

tell them your name

         was
fleshed from the toothless mouth

                                                of
a war-woman.

That you were not born

                      but
crawled, headfirst—

into the hunger of dogs. My son, tell them

                                     the
body is a blade that sharpens

          by
cutting.

Published:

2016

Length:

Regular

Literary Movements:

Contemporary

Anthology Years:

2023

Themes:

Family

Identity

Love & Relationships

Womanhood

Literary Devices:

Juxtaposition

the fact of two things being seen or placed close together with contrasting effect

Personification

the attribution of human qualities to a non-human thing

Repetition

a recurrence of the same word or phrase two or more times

Simile

a comparison between two unlike things using the words “like” or “as”