Kaveh Akbar

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Kaveh Akbar’s poems appear in The New Yorker, The New York Times, Paris Review, Best American Poetry, and elsewhere. His second full-length volume of poetry, Pilgrim Bell, will be published by Graywolf in August 2021. His debut, Calling a Wolf a Wolf, is out now with Alice James in the US and Penguin in the UK. He is also the author of the chapbook, Portrait of the Alcoholic, published in 2016 by Sibling Rivalry Press. In 2022, Penguin Classics will publish a new anthology edited by Kaveh: The Penguin Book of Spiritual Verse: 100 Poets on the Divine. In 2020 Kaveh was named Poetry Editor of The Nation. The recipient of honors including multiple Pushcart Prizes, a Civitella Ranieri Foundation Fellowship, and the Levis Reading Prize, Kaveh was born in Tehran, Iran, and teaches at Purdue University and in the low-residency MFA programs at Randolph College and Warren Wilson. In 2014, Kaveh founded Divedapper, a home for dialogues with the most vital voices in American poetry. With Sarah Kay and Claire Schwartz, he wrote a weekly column for the Paris Reviewcalled "Poetry RX." Source

Unburnable The Cold is Flooding Our Lives

the prophets are alive but unrecognizable to us

as calligraphy to a mouse  for a time they dragged

 

long oar strokes across the sky    now they sit

in graveyards drinking coffee forking soapy cottage cheese

 

into their mouths  my hungry is different than their hungry 

I envy their discipline but not enough to do anything about it      

 

I blame my culture   I blame everyone but myself   

intent arrives like a call to prayer and is as easy to dismiss      

 

Rumi said the two most important things in life were beauty

and bewilderment this is likely a mistranslation 

 

after thirty years in America my father now dreams in English     

says he misses the dead relatives he used to be able to visit in sleep 

 

how many times are you allowed to lose the same beloveds

before you stop believing they’re gone

 

some migrant birds build their nests over rivers    

to push them into the water when they leave   this seems

 

almost warm   a good harm   the addictions

that were killing me fastest were the ones I loved best 

 

turning the chisel toward myself I found my body

was still the size of my body  still unarmored as wet bread  

 

one way to live a life is to spend each moment asking

forgiveness for the last     it seems to me the significance

 

of remorse would deflate with each performance  better

to sink a little into the earth and quietly watch life unfold      

 

violent as a bullring    the carpenter’s house will always be

the last to be built   sometimes a mind is ready to leave

 

the world before its body  sometimes paradise happens

too early and leaves us shuddering in its wake   

 

I am glad I still exist  glad for cats and moss

and Turkish indigo    and yet   to be light upon the earth 

 

to be steel bent around an endless black  to once again

be God’s own tuning fork    and yet  and yet

Published:

2016

Length:

Regular

Literary Movements:

Contemporary

Anthology Years:

2023

Themes:

Faith & Hope

Forgiveness

Intersectionality & Culture

Literary Devices:

Analogy

a figure of speech that creates a comparison by showing how two seemingly different entities are alike, along with illustrating a larger point due to their commonalities

Anaphora

a figure of speech in which words repeat at the beginning of successive clauses, phrases, or sentences

Couplets

two lines of verse, usually in the same meter and joined by rhyme, that form a unit

Metaphor

a comparison between two unrelated things through a shared characteristic

Polysyndeton

the repetition of conjunctions frequently and in close proximity in a sentence

Simile

a comparison between two unlike things using the words “like” or “as”