for Jess
Dr. Redacted will tell me not to tell you
this, like this,
in a poem: how it’s all right, love, that we don’t love
living. Even actors don’t
exactly love the spotlight they move through,
as your sister, the actor,
has told us; they just need to be lit
for narrative motion
to have meaning. As such it is,
with artifice, and embarrassment,
that I move through fear
to you, tonight, where I had dreams,
a short nap ago, about lines
of poetry I struck through
with everyday blues, month after
month, in the dream,
after dream; an attempt
I guess to forget, if I could: defeat
sometimes is defeat
without purpose. The news at least tells me that
much. I know now,
in fact, we don’t have to be brave,
not to survive a night
like any we’ve looked on
together, seeing blue-tinted snow
once in a K-mart
parking lot’s giant, two-headed lamp—
and my father hooked up,
up the street, with no chance
of waking—as many years ago now
as how much longer I’ve lived
with you than without.
Forgive me, again, that I write you an elegy
where a love poem should be.
2020
Regular
Contemporary
2023
Death & Loss
Love & Relationships
Enjambment
a line break interrupting the middle of a phrase which continues on to the next line
Imagery
visually descriptive or figurative language, especially in a literary work
Interrupted Clause
a word group (a statement, question, or exclamation) that interrupts the flow of a sentence and is usually set off by commas, dashes, or parentheses