John Berryman

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A scholar and professor as well as a poet, John Berryman is best-known for The Dream Songs (1969), an intensely personal sequence of 385 poems which brought him the Pulitzer Prize and National Book Award. In these he invented a style and form able to accommodate a vast range of material while expressing his turbulent emotions.

Born John Smith in McAlester, Oklahoma, in 1914, Berryman suffered a great loss at 12 when his father shot himself outside the boy’s window. This event haunted him throughout his life, and recurred as a subject in his poetry. After his mother remarried, John took his stepfather’s name and lived in Massachusetts and New York City.

Berryman graduated from Columbia in 1936, then went to study at Cambridge University for two years on a scholarship. The first of three marriages came in 1942, and six years later he published his first important book of poetry, The Dispossessed (1948). A critical biography of the American writer Stephen Crane followed in 1950. In 1955, after teaching stints at Harvard and Princeton, Berryman took a position at the University of Minnesota, where he remained until his death. Source

Dream Song 14

Life, friends, is boring. We must not say so.   

After all, the sky flashes, the great sea yearns,   

we ourselves flash and yearn,

and moreover my mother told me as a boy   

(repeatingly) ‘Ever to confess you’re bored   

means you have no

 

Inner Resources.’ I conclude now I have no   

inner resources, because I am heavy bored.

Peoples bore me,

literature bores me, especially great literature,   

Henry bores me, with his plights & gripes   

as bad as achilles,

 

who loves people and valiant art, which bores me.   

And the tranquil hills, & gin, look like a drag   

and somehow a dog

has taken itself & its tail considerably away

into mountains or sea or sky, leaving            

behind: me, wag.

Published:

1969

Length:

Regular

Literary Movements:

Confessionalism

Anthology Years:

2023

Themes:

Doubt & Fear

Poems of the Everyday

Literary Devices:

Asyndeton

the absence of a conjunction (for, and, nor, but, or, yet, so…) between phrases and within a sentence

Dialogue

conversation between two or more people as a feature of a book, play, or movie

Simile

a comparison between two unlike things using the words “like” or “as”