William Shakespeare

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While William Shakespeare’s reputation is based primarily on his plays, he became famous first as a poet. With the partial exception of the Sonnets (1609), quarried since the early 19th century for autobiographical secrets allegedly encoded in them, the nondramatic writings have traditionally been pushed to the margins of the Shakespeare industry. Yet the study of his nondramatic poetry can illuminate Shakespeare’s activities as a poet emphatically of his own age, especially in the period of extraordinary literary ferment in the last ten or twelve years of the reign of Queen Elizabeth. Interest in Shakespeare’s nondramatic writings has increased markedly in recent years. They are no longer so easily marginalized or dismissed as conventional, and they contribute in powerful ways to a deeper understanding of Shakespeare’s oeuvre and the Elizabethan era in which he lived and wrote. Shakespeare died on April 23, 1616, on what may have been his 52nd birthday. Source

Sonnet 130: My mistress' eyes are nothing like the sun

My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
    And yet, by heaven, I think my love as rare
    As any she belied with false compare.

Published:

1609

Length:

Regular

Literary Movements:

English Renaissance

Anthology Years:

2023

Themes:

Love & Relationships

Literary Devices:

Alliteration

the repetition of the same letter or sound at the beginning of words appearing in succession

Allusion

an expression designed to call something to mind without mentioning it explicitly; an indirect or passing reference

Hyperbole

exaggerated statements or claims not meant to be taken literally

Irony

the expression of one's meaning by using language that normally signifies the opposite, typically for humorous or emphatic effect

Metaphor

a comparison between two unrelated things through a shared characteristic

Simile

a comparison between two unlike things using the words “like” or “as”