Ocean Vuong

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Ocean Vuong is the author of The New York Times bestselling novel, On Earth We're Briefly Gorgeous, out from Penguin Press (2019) and forthcoming in 30 languages. A recipient of a 2019 MacArthur "Genius" Grant, he is also the author of the critically acclaimed poetry collection, Night Sky with Exit Wounds, a New York Times Top 10 Book of 2016, winner of the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award, and the Forward Prize for Best First Collection. A Ruth Lilly fellow from the Poetry Foundation, his honors include fellowships from the Lannan Foundation, the Civitella Ranieri Foundation, The Elizabeth George Foundation, The Academy of American Poets, and the Pushcart Prize. Vuong's writings have been featured in The Atlantic, Granta, Harpers, The Nation, New Republic, The New Yorker, The New York Times, The Paris Review, The Village Voice, and American Poetry Review, which awarded him the Stanley Kunitz Prize for Younger Poets. Selected by Foreign Policy magazine as a 2016 100 Leading Global Thinker, Ocean was also named by BuzzFeed Books as one of “32 Essential Asian American Writers” and has been profiled on NPR’s “All Things Considered,” PBS NewsHour, Teen Vogue, Interview, Poets & Writers, and The New Yorker. Born in Saigon, Vietnam and raised in Hartford, Connecticut in a working class family of nail salon and factory laborers, he was educated at nearby Manchester Community College before transferring to Pace University to study International Marketing. Without completing his first term, he dropped out of Business school and enrolled at Brooklyn College, where he graduated with a BA in Nineteenth Century American Literature. He subsequently received his MFA in Poetry from NYU.  He currently lives in Northampton, Massachusetts where he serves as an Associate Professor in the MFA Program for Poets and Writers at UMass-Amherst. Source

Kissing in Vietnamese

My grandmother kisses

as if bombs are bursting in the backyard,

where mint and jasmine lace their perfumes

through the kitchen window,

as if somewhere, a body is falling apart

and flames are making their way back

through the intricacies of a young boy’s thigh,

as if to walk out the door, your torso

would dance from exit wounds.

When my grandmother kisses, there would be

no flashy smooching, no western music

of pursed lips, she kisses as if to breathe

you inside her, nose pressed to cheek

so that your scent is relearned

and your sweat pearls into drops of gold

inside her lungs, as if while she holds you

death also, is clutching your wrist.

My grandmother kisses as if history

never ended, as if somewhere

a body is still

falling apart.

Published:

2014

Length:

Regular

Literary Movements:

Contemporary

Anthology Years:

2024

Themes:

Family

Identity

Violence & War

Literary Devices:

Alliteration

the repetition of the same letter or sound at the beginning of words appearing in succession

Anaphora

a figure of speech in which words repeat at the beginning of successive clauses, phrases, or sentences

Enjambment

a line break interrupting the middle of a phrase which continues on to the next line

Personification

the attribution of human qualities to a non-human thing

Sensory Detail

words used to invoke the five senses (vision, hearing, taste, touch, smell)