Mary Oliver

cantfindit

Born in a small town in Ohio, Mary Oliver published her first book of poetry in 1963 at the age of 28; No Voyage and Other Poems, originally printed in the UK by Dent Press, was reissued in the United States in 1965 by Houghton Mifflin. Oliver has since published many works of poetry and prose. As a young woman, Oliver studied at Ohio State University and Vassar College, but took no degree. She lived for several years at the home of Edna St. Vincent Millay in upper New York state, companion to the poet’s sister Norma Millay. It was there, in the late ’50s, that she met photographer Molly Malone Cook. For more than forty years, Cook and Oliver made their home together, largely in Provincetown, Massachusetts, where they lived until Cook’s death in 2005. Over the course of her long and illustrious career, Oliver has received numerous awards. Her fourth book, American Primitive, won the Pulitzer Prize for Poetry in 1984. She has also received the Shelley Memorial Award; a Guggenheim Fellowship; an American Academy and Institute of Arts and Letters Achievement Award; the Christopher Award and the L.L. Winship/PEN New England Award for House of Light; the National Book Award for New and Selected Poems; a Lannan Foundation Literary Award; and the New England Booksellers Association Award for Literary Excellence.  Oliver’s books on the craft of poetry, A Poetry Handbook and Rules for the Dance, are used widely in writing programs. She has led workshops at various colleges and universities, and held residencies at Case Western Reserve University, Bucknell University, University of Cincinnati, and Sweet Briar College. From 1995, for five years, she held the Catharine Osgood Foster Chair for Distinguished Teaching at Bennington College. She has been awarded Honorary Doctorates from The Art Institute of Boston (1998), Dartmouth College (2007) and Tufts University (2008). Oliver currently lives in Provincetown, Massachusetts, the inspiration for much of her work. Source

In Blackwater Woods

Look, the trees

are turning

their own bodies

into pillars

 

of light,

are giving off the rich

fragrance of cinnamon

and fulfillment,

 

the long tapers

of cattails

are bursting and floating away over

the blue shoulders

 

of the ponds,

and every pond,

no matter what its

name is, is

 

nameless now.

Every year

everything

I have ever learned

 

in my lifetime

leads back to this: the fires

and the black river of loss

whose other side

 

is salvation,

whose meaning

none of us will ever know.

To live in this world

 

you must be able

to do three things:

to love what is mortal;

to hold it

 

against your bones knowing

your own life depends on it;

and, when the time comes to let it

go,

to let it go.

Published:

1983

Length:

Regular

Literary Movements:

Contemporary

Anthology Years:

2024

Themes:

Death & Loss

Love & Relationships

Nature

Literary Devices:

Anadiplosis

A device in which the last word or phrase of one clause, sentence, or line is repeated at the beginning of the next.

Imagery

visually descriptive or figurative language, especially in a literary work

Juxtaposition

the fact of two things being seen or placed close together with contrasting effect

Polyptoton

The use of multiple words with the same root in different forms.

Sensory Detail

words used to invoke the five senses (vision, hearing, taste, touch, smell)