Gwendolyn Brooks

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Gwendolyn Brooks was born in Topeka, Kansas, on June 7, 1917, and raised in Chicago. She was the author of more than twenty books of poetry, including Children Coming Home (The David Co., 1991); Blacks (The David Co., 1987); To Disembark (Third World Press, 1981); The Near-Johannesburg Boy and Other Poems (The David Co., 1986); Riot (Broadside Press, 1969); In the Mecca (Harper & Row, 1968); The Bean Eaters (Harper, 1960); Annie Allen (Harper, 1949), for which she received the Pulitzer Prize; and A Street in Bronzeville (Harper & Brothers, 1945). She also wrote numerous other books including a novel, Maud Martha (Harper, 1953), and Report from Part One: An Autobiography (Broadside Press, 1972), and edited Jump Bad: A New Chicago Anthology (Broadside Press, 1971). In 1968 she was named poet laureate for the state of Illinois. In 1985, she was the first black woman appointed as consultant in poetry to the Library of Congress, a post now known as Poet Laureate. She also received an American Academy of Arts and Letters Award, the Frost Medal, a National Endowment for the Arts Award, the Shelley Memorial Award, and fellowships from the Academy of American Poets and the Guggenheim Foundation. She lived in Chicago until her death on December 3, 2000. Source

Speech to the Young: Speech to the Progress-Toward

Say to them,

say to the down-keepers,

the sun-slappers,

the self-soilers,

the harmony-hushers,

"Even if you are not ready for day

it cannot always be night."

You will be right.

For that is the hard home-run.

 

Live not for battles won.

Live not for the-end-of-the-song.

Live in the along.

Published:

1991

Length:

Shorty

Literary Movements:

Black Arts Movement

Chicago Black Renaissance

Anthology Years:

2021

2022

2024

Themes:

Faith & Hope

Joy & Praise

Strength & Resilience

Literary Devices:

Alliteration

the repetition of the same letter or sound at the beginning of words appearing in succession

Anaphora

a figure of speech in which words repeat at the beginning of successive clauses, phrases, or sentences

Asyndeton

the absence of a conjunction (for, and, nor, but, or, yet, so…) between phrases and within a sentence

Dialogue

conversation between two or more people as a feature of a book, play, or movie

End Rhyme

when a poem has lines ending with words that sound the same

Hyperbaton

An inversion of typical syntax (word order).

Kenning

a compound expression in Old English and Old Norse poetry with metaphorical meaning